jeffreylouden · Oct 17, 2026
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+---
+"catalog": minor
+---
+
+Import Death By Audio (59 hardware/software entries).
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+id: lPpbbEJrDiB2Eo9AOuGFj
+name: Mic Stand Clip Backplate
+manufacturer: death-by-audio
+primaryCategory: mic-stand
+url: https://deathbyaudio.com/products/mic-stand-clip-backplate-for-vocal-pedals
+description: A replacement backplate that attaches the Echo Master or Space
+  Ensemble pedal to a microphone stand for live vocal performance.
+details: |-
+  MOUNT YOUR ECHO MASTER TO YOUR MIC STAND Replaces the backplate of the Echo Master (and Space Ensemble!) to attach to your mic stand. Puts the pedal within hand reach to maximize live vocal performance tweak-ability. This new model (V3) has been upgraded with a handgrip screw for more torque. (Although this resembles the V1, this version is much stronger and sturdier than the original model). Weight: 14.7 oz. Dims (including hardware): 6" x 4.2" x 2.54" **Please note: Microphone, cords, and stand are not included.
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+id: D87F9BqXckY1Eyg455EHA
+name: Photo Modulator
+manufacturer: death-by-audio
+primaryCategory: other
+url: https://deathbyaudio.com/products/photomodulator
+description: A compact light-sensitive controller housed in a right-angle
+  quarter-inch jack that lets any light source manipulate expression
+  pedal-compatible effects.
+details: |-
+  Stick it where the sun does shine! The PHOTO MODULATOR is a compact, light-sensitive controller that allows you to manipulate expression pedal-compatible effects using any light source. Shine a bright light - such as a strobe, flashlight, stage light, or even a lava lamp - onto the sensor to sweep your effect one way. Cover it in shadow, and it sweeps the other. It works just like an expression pedal: light = toe down, dark = heel down. Housed in a right-angle ¼” jack for an ultra-small footprint, it’s easy to aim the sensor at your desired light source. No batteries required. Details The PHOTO MODULATOR uses a passive photoresistor circuit to allow almost any expression pedal-compatible pedal to be manipulated by light. Shining a bright light on the lens simulates putting your toe down on an expression pedal, and covering it in darkness simulates putting your heel down. This means you can connect the PHOTO MODULATOR to the ROOMS , EVIL FILTER , the new CROSSOVER FUZZ , or many of your favorite expression-control pedals and to instantly open it to the endless possibilities of light control! Specifications Electrical Details The PHOTO MODULATOR uses a cadmium-sulfide photoresistor connected between the tip and ring of the ¼” jack. Its resistance changes with light: Bright light: <1k Complete darkness: >1MΩ A 47kΩ resistor connects the ring to the sleeve, mimicking the behavior of the potentiometer found in most passive expression pedals. This configuration ensures compatibility with a wide range of effects that accept standard expression pedal input. Physical Details Dimensions: 2.6” x 1.9” x 0.6” Weight: 0.09 oz. Regulatory Notice: The PHOTO MODULATOR contains a cadmium-sulfide-based photoresistor. Due to the presence of this material, the device is not compliant with the following environmental safety regulations: EU Directive 2011/65/EU (RoHS) UK RoHS China RoHS K-RoHS (Korea) Taiwan RoHS As a result, it cannot be sold, shipped, or distributed in the European Union, the United Kingdom, China, Korea, or Taiwan. Digital Manual
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+id: sCMUCgZsjBh2jvMmjNr15
+name: Power-All Power Supply
+manufacturer: death-by-audio
+primaryCategory: other
+url: https://deathbyaudio.com/products/power-all-power-supply-echo-master-replacement
+description: A replacement power supply for the Echo Master pedal.
+details: |-
+  Replacement Power supply
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+id: CiJc1ChHIv75sb1kivuVv
+name: Raw Power
+manufacturer: death-by-audio
+primaryCategory: other
+url: https://deathbyaudio.com/products/raw-power
+description: A low-noise, high-current power supply for pedalboards compatible
+  with any international voltage specification.
+details: |-
+  The Power Your Pedals Crave Let’s cut the noise—literally. Introducing Raw Power, the power supply built for the musicians who demand only the best for their pedalboard. It’s cleaner. It’s tougher. It’s got enough juice to fuel a pedal army, and it works anywhere in the world. No compromises. Details Silence the Static Tired of noise stacking up and killing your tone? Raw Power runs so quiet, you might think your pedals are whispering sweet nothings. Perfect for recording, rehearsing, or shredding on stage. Big Power for Big Rigs Got 30+ pedals? No problem. Raw Power laughs in the face of your sprawling pedalboard and keeps the energy flowing no matter what you throw at it. Global Domination Ready Wherever your music takes you, Raw Power ’s got your back. Raw Power works with any international power specification. Plug it in, power up, and play. Built for Battle It’s a Death By Audio product, so you know it’s a tank. Take it on tour, drop it, kick it—it’s ready to power through whatever chaos you throw at it. Your sound is everything. Don’t let a noisy, weak power supply ruin it. Step up to Raw Power —because your tone deserves the best, and anything less is unacceptable. Pure power. Zero compromise. Are you in? NOTE: Does not include daisy chain. Specifications Electrical Input Voltage: 100-240VAC Nominal Output Voltage: 9 VDC, Center-Negative Maximum Output Current: 3 A Physical AC Connector: American Type-A Plug (Universal Adapter-Compatible) DC Connector: 2.1mm Barrel Dimensions: 2.88" x 1.19" x 2.57*" (*includes plug prongs) Cable Length: 120" Weight: 7.7 oz.
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+id: lMwwGYitOjGZP5lEB3zMT
+name: TRS Patch Cable
+manufacturer: death-by-audio
+primaryCategory: cable
+url: https://deathbyaudio.com/products/flat-pedal-trs-cable
+description: A 6-inch TRS stereo patch cable compatible with the Destroyer
+  Series pedal line.
+details: |-
+  6" TRS Stereo Patch Cable, compatible with our Destroyer Series line.
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+id: bLx5UymC97QmpY0lJ2fuP
+name: TRS Y-Split Cable
+manufacturer: death-by-audio
+primaryCategory: cable
+url: https://deathbyaudio.com/products/trs-y-split-cable
+description: An adapter cable that splits a TRS stereo cable into two mono TS
+  cables for use with stereo pedals.
+details: |-
+  Adapter cable to split a TRS stereo cable to two Mono cables, compatible with our Destroyer Series line.
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+id: zqzWhUoXp8zMxZBNLF8GP
+name: ABSOLUTE DESTRUCTION
+manufacturer: death-by-audio
+primaryCategory: fuzz
+categories:
+  - distortion
+  - octave
+  - pedal
+capabilities:
+  - fuzz
+  - distortion
+  - octave
+  - compression
+url: https://deathbyaudio.com/products/absolute-destruction
+description: A fuzz/distortion pedal built around a power amplifier IC with Gain
+  and Overload sliders that interact to create fuzz, octave, distortion and
+  self-destructing texture effects.
+details: |-
+  OUR MOST INSANE PEDAL YET This might be our craziest pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? How about a crushing distortion tone? Sure, you can do that, and it'll sound great. But you can also push the OVERLOAD slider into blooming, octave nastiness; push it further and starve the circuit until your signal eats itself. Crank it to the maximum and your sound will duck completely into the void before it returns to life with a relentless vengeance. Details The Absolute Destruction harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. Controls MASTER VOLUME Controls the output volume of the effect. OVERLOAD Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left, it pulverizes the sound more rapidly. GAIN Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Sound Samples Mustang High-Gain Octave Low-Gain Maxxed Out Swell Maxxed Out Staccato Jazz Bass Maxxed Out Octafuzz Swell Vox Bass Everything Down High Noon High-Gain Overloaded Freak-Out
+io:
+  - key: yk1Os955
+    name: Input
+    signalFlow: input
+    category: audio
+    type: instrument
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: q3DBzibe
+    name: Output
+    signalFlow: output
+    category: audio
+    type: line
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: EXTT0aas
+    name: Power
+    signalFlow: input
+    category: power
+    type: power
+    connection: barrel
+    maxConnections: 1
+    position: Right
@@ -0,0 +1,44 @@
+id: Pa_k7588VjRx8KkMd7p5d
+name: ABSOLUTE DESTRUCTION
+manufacturer: death-by-audio
+primaryCategory: fuzz
+categories:
+  - distortion
+  - octave
+  - pedal
+capabilities:
+  - fuzz
+  - distortion
+  - octave
+  - compression
+url: https://deathbyaudio.com/products/absolute-destruction-copy
+description: A fuzz/distortion pedal built around a power amplifier IC with Gain
+  and Overload sliders that interact to create fuzz, octave, distortion and
+  self-destructing texture effects.
+details: |-
+  OUR MOST INSANE PEDAL YET This might be our craziest pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? How about a crushing distortion tone? Sure, you can do that, and it'll sound great. But you can also push the OVERLOAD slider into blooming, octave nastiness; push it further and starve the circuit until your signal eats itself. Crank it to the maximum and your sound will duck completely into the void before it returns to life with a relentless vengeance. Details The Absolute Destruction harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. Controls MASTER VOLUME Controls the output volume of the effect. OVERLOAD Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left, it pulverizes the sound more rapidly. GAIN Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Sound Samples Mustang High-Gain Octave Low-Gain Maxxed Out Swell Maxxed Out Staccato Jazz Bass Maxxed Out Octafuzz Swell Vox Bass Everything Down High Noon High-Gain Overloaded Freak-Out
+io:
+  - key: YJfjVgKv
+    name: Input
+    signalFlow: input
+    category: audio
+    type: instrument
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: gYgejch3
+    name: Output
+    signalFlow: output
+    category: audio
+    type: line
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: 5QuzZNSG
+    name: Power
+    signalFlow: input
+    category: power
+    type: power
+    connection: barrel
+    maxConnections: 1
+    position: Right
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+id: jr4t_ZUBpEyQ_lGIOns5H
+name: AMP CRASH
+manufacturer: death-by-audio
+primaryCategory: amplifier
+categories:
+  - pedal
+  - reverb
+  - delay
+  - chorus
+capabilities:
+  - amp-modeling
+  - reverb
+  - delay
+  - chorus
+  - distortion
+  - fuzz
+url: https://deathbyaudio.com/products/amp-crash
+description: A pedal containing a real 3-watt amplifier, internal speaker, and
+  microphone, blending the direct and mic'd amp signal with built-in reverb,
+  echo and chorus effects.
+specs: |-
+  - WOW. We crashed the internet with this release! but another batch will be ready soon.
+  - Orders placed before #DBA2064 3 are scheduled to ship by Sept 2nd. The first batch of preorders is estimated to ship on/around the week of Sept 7th. Also check your local music store for stock . We really appreciate all the support for AMP CRASH!
+  - A collaboration between Death By Audio and Rainger FX
+  - Real 3-watt amplifier, internal 2” speaker, and microphone built into the pedal
+  - Built-in Reverb, Echo, and Chorus effects
+  - Great for recording, practice, experimentation, or adding a real amp to your pedalboard
+  - Lifetime warranty
+io:
+  - key: 4MNndUgL
+    name: Input
+    signalFlow: input
+    category: audio
+    type: instrument
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: pOgmLoSj
+    name: Output
+    signalFlow: output
+    category: audio
+    type: line
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: PAcNjhng
+    name: Power
+    signalFlow: input
+    category: power
+    type: power
+    connection: barrel
+    maxConnections: 1
+    position: Right
@@ -0,0 +1,47 @@
+id: pDjfqUSbptoeETaxB1D__
+name: APOCALYPSE
+manufacturer: death-by-audio
+primaryCategory: fuzz
+categories:
+  - distortion
+  - octave
+  - equalizer
+  - pedal
+capabilities:
+  - fuzz
+  - distortion
+  - octave
+  - overdrive
+  - boost
+  - equalization
+url: https://deathbyaudio.com/products/apocalypse
+description: A multi-mode fuzz pedal that routes an overdriven signal into one
+  of five selectable post-amplifiers for different fuzz, octave and distortion
+  tones, with a sweepable frequency equalizer.
+details: |-
+  FUZZ TO THE NEXT LEVEL The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to one of five selectable post-amplifiers for five wild and unique fuzz tones. Toggle through its five signal paths and choose your desired apocalyptic sound. To further refine this beast, control the Sweepable Frequency Equalizer and carve your tone out just the way you like it. Use this pedal as a boost for solos, an amp simulated recording DI, your main fuzz sound, a bass blitzer, or run anything into it you want to beef up, blast out, destroy, or supercharge!! Controls Knobs Volume Adjusts the output volume of the pedal. Drive Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts. Sweepable Frequency Equalizer This is a special tone knob designed to function as a multitude of tone controls simultaneously. Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound. Rotary Selector Twin-T Scoop A circuit adding bass and treble simultaneously. Quieter volume than the rest. War Fuzz A very full and dynamic distortion with rich harmonics and sustain. Dual J-FET Similar to the War Fuzz setting using dual J-FETs to get its sound. Octave Rect Sums the bottom and top halves of a waveform to create an octave up. Gain x1000 The gain is cranked super high on this post amp causing erratic results. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5.8 mA Physical Details Dimensions: 5.87" x 4.72" x 2.46" (including hardware) Weight: 20 oz. Sound Samples Twin-T Scoop Guitar Punk Guitar Rock Bass Fuzz Attack Synth Shredder War Fuzz Guitar Straight-Ahead Guitar Heavy Riff Bass Scooped Riff Synth Scooped Dirt Dual J-FET Guitar Metal Chug Bass Doom Synth Smashed Solo Octave Rect Guitar Rip and Tear Bass Classic Fizz Synth Smashed Commlink Gain x1000 Guitar Searing Solo Guitar Collapsing Chug Guitar Speaker Ripper Bass Rumble Fuzz Synth Screamer
+io:
+  - key: Ba4lSTFO
+    name: Input
+    signalFlow: input
+    category: audio
+    type: instrument
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: zVmeQsKa
+    name: Output
+    signalFlow: output
+    category: audio
+    type: line
+    connection: 1/4-inch
+    maxConnections: 1
+    position: Right
+  - key: t27nWXQq
+    name: Power
+    signalFlow: input
+    category: power
+    type: power
+    connection: barrel
+    maxConnections: 1
+    position: Right