From ded71e2b82e249c44022aa3403f96e92eb5c11bc Mon Sep 17 00:00:00 2001 From: Jeffrey Louden Date: Sat, 17 Oct 2026 11:13:01 -0400 Subject: [PATCH] feat(catalog): import Death By Audio (59 products) Fast runner import via scripts/catalog-import/fast. Tier: n/a New entries: 59 Auto-selected images: 209/328 Classified by: claude-sonnet-5 Co-Authored-By: Claude Sonnet 5 (fast runner) --- .changeset/import-death-by-audio.md | 5 ++ ...ath-by-audio-mic-stand-clip-backplate.yaml | 9 +++ .../death-by-audio-photo-modulator.yaml | 10 +++ ...death-by-audio-power-all-power-supply.yaml | 8 +++ .../accessories/death-by-audio-raw-power.yaml | 9 +++ .../death-by-audio-trs-patch-cable.yaml | 9 +++ .../death-by-audio-trs-y-split-cable.yaml | 9 +++ ...death-by-audio-absolute-destruction-2.yaml | 44 ++++++++++++ .../death-by-audio-absolute-destruction.yaml | 44 ++++++++++++ data/hardware/death-by-audio-amp-crash.yaml | 53 +++++++++++++++ data/hardware/death-by-audio-apocalypse.yaml | 47 +++++++++++++ data/hardware/death-by-audio-bass-war.yaml | 43 ++++++++++++ .../death-by-audio-crossover-fuzz-2.yaml | 68 +++++++++++++++++++ .../death-by-audio-crossover-fuzz.yaml | 68 +++++++++++++++++++ .../death-by-audio-deep-animation.yaml | 51 ++++++++++++++ data/hardware/death-by-audio-disturbance.yaml | 51 ++++++++++++++ .../death-by-audio-dream-station.yaml | 53 +++++++++++++++ .../hardware/death-by-audio-echo-dream-2.yaml | 43 ++++++++++++ .../death-by-audio-echo-master-uk.yaml | 58 ++++++++++++++++ data/hardware/death-by-audio-echo-master.yaml | 58 ++++++++++++++++ data/hardware/death-by-audio-evil-filter.yaml | 52 ++++++++++++++ .../death-by-audio-exploding-head.yaml | 10 +++ data/hardware/death-by-audio-fuzz-war-2.yaml | 44 ++++++++++++ data/hardware/death-by-audio-fuzz-war.yaml | 10 +++ .../death-by-audio-germanium-filter.yaml | 45 ++++++++++++ ...-audio-interstellar-overdriver-deluxe.yaml | 51 ++++++++++++++ ...eath-by-audio-interstellar-overdriver.yaml | 40 +++++++++++ data/hardware/death-by-audio-micro-dream.yaml | 41 +++++++++++ .../death-by-audio-moonbeam-phaser.yaml | 48 +++++++++++++ .../death-by-audio-octave-clang-mkii.yaml | 44 ++++++++++++ .../death-by-audio-octave-clang-v2.yaml | 44 ++++++++++++ .../death-by-audio-phosphene-scream.yaml | 41 +++++++++++ .../death-by-audio-reverberation-machine.yaml | 41 +++++++++++ data/hardware/death-by-audio-robot.yaml | 48 +++++++++++++ data/hardware/death-by-audio-rooms.yaml | 57 ++++++++++++++++ .../death-by-audio-soundwave-breakdown.yaml | 41 +++++++++++ .../hardware/death-by-audio-space-bender.yaml | 42 ++++++++++++ .../death-by-audio-space-ensemble-se-1.yaml | 59 ++++++++++++++++ .../death-by-audio-supersonic-fuzz-gun.yaml | 43 ++++++++++++ .../death-by-audio-thee-treble-overload.yaml | 43 ++++++++++++ .../death-by-audio-time-shadows-ii.yaml | 43 ++++++++++++ .../hardware/death-by-audio-time-shadows.yaml | 54 +++++++++++++++ ...h-by-audio-total-sonic-annihilation-2.yaml | 58 ++++++++++++++++ .../death-by-audio-waveformer-destroyer.yaml | 55 +++++++++++++++ .../death-by-audio-xcolorway-apocalypse.yaml | 45 ++++++++++++ .../death-by-audio-xcolorway-bass-war.yaml | 43 ++++++++++++ .../death-by-audio-xcolorway-disturbance.yaml | 51 ++++++++++++++ ...death-by-audio-xcolorway-echo-dream-2.yaml | 43 ++++++++++++ .../death-by-audio-xcolorway-echo-master.yaml | 57 ++++++++++++++++ .../death-by-audio-xcolorway-evil-filter.yaml | 63 +++++++++++++++++ .../death-by-audio-xcolorway-fuzz-war.yaml | 42 ++++++++++++ ...h-by-audio-xcolorway-germanium-filter.yaml | 45 ++++++++++++ ...dio-xcolorway-interstellar-overdriver.yaml | 39 +++++++++++ .../death-by-audio-xcolorway-micro-dream.yaml | 40 +++++++++++ ...audio-xcolorway-reverberation-machine.yaml | 42 ++++++++++++ .../death-by-audio-xcolorway-robot.yaml | 46 +++++++++++++ .../death-by-audio-xcolorway-rooms.yaml | 66 ++++++++++++++++++ ...death-by-audio-xcolorway-space-bender.yaml | 42 ++++++++++++ ...y-audio-xcolorway-supersonic-fuzz-gun.yaml | 43 ++++++++++++ ...-xcolorway-tonal-sonic-annihilation-2.yaml | 59 ++++++++++++++++ 60 files changed, 2560 insertions(+) create mode 100644 .changeset/import-death-by-audio.md create mode 100644 data/accessories/death-by-audio-mic-stand-clip-backplate.yaml create mode 100644 data/accessories/death-by-audio-photo-modulator.yaml create mode 100644 data/accessories/death-by-audio-power-all-power-supply.yaml create mode 100644 data/accessories/death-by-audio-raw-power.yaml create mode 100644 data/accessories/death-by-audio-trs-patch-cable.yaml create mode 100644 data/accessories/death-by-audio-trs-y-split-cable.yaml create mode 100644 data/hardware/death-by-audio-absolute-destruction-2.yaml create mode 100644 data/hardware/death-by-audio-absolute-destruction.yaml create mode 100644 data/hardware/death-by-audio-amp-crash.yaml create mode 100644 data/hardware/death-by-audio-apocalypse.yaml create mode 100644 data/hardware/death-by-audio-bass-war.yaml create mode 100644 data/hardware/death-by-audio-crossover-fuzz-2.yaml create mode 100644 data/hardware/death-by-audio-crossover-fuzz.yaml create mode 100644 data/hardware/death-by-audio-deep-animation.yaml create mode 100644 data/hardware/death-by-audio-disturbance.yaml create mode 100644 data/hardware/death-by-audio-dream-station.yaml create mode 100644 data/hardware/death-by-audio-echo-dream-2.yaml create mode 100644 data/hardware/death-by-audio-echo-master-uk.yaml create mode 100644 data/hardware/death-by-audio-echo-master.yaml create mode 100644 data/hardware/death-by-audio-evil-filter.yaml create mode 100644 data/hardware/death-by-audio-exploding-head.yaml create mode 100644 data/hardware/death-by-audio-fuzz-war-2.yaml create mode 100644 data/hardware/death-by-audio-fuzz-war.yaml create mode 100644 data/hardware/death-by-audio-germanium-filter.yaml create mode 100644 data/hardware/death-by-audio-interstellar-overdriver-deluxe.yaml create mode 100644 data/hardware/death-by-audio-interstellar-overdriver.yaml create mode 100644 data/hardware/death-by-audio-micro-dream.yaml create mode 100644 data/hardware/death-by-audio-moonbeam-phaser.yaml create mode 100644 data/hardware/death-by-audio-octave-clang-mkii.yaml create mode 100644 data/hardware/death-by-audio-octave-clang-v2.yaml create mode 100644 data/hardware/death-by-audio-phosphene-scream.yaml create mode 100644 data/hardware/death-by-audio-reverberation-machine.yaml create mode 100644 data/hardware/death-by-audio-robot.yaml create mode 100644 data/hardware/death-by-audio-rooms.yaml create mode 100644 data/hardware/death-by-audio-soundwave-breakdown.yaml create mode 100644 data/hardware/death-by-audio-space-bender.yaml create mode 100644 data/hardware/death-by-audio-space-ensemble-se-1.yaml create mode 100644 data/hardware/death-by-audio-supersonic-fuzz-gun.yaml create mode 100644 data/hardware/death-by-audio-thee-treble-overload.yaml create mode 100644 data/hardware/death-by-audio-time-shadows-ii.yaml create mode 100644 data/hardware/death-by-audio-time-shadows.yaml create mode 100644 data/hardware/death-by-audio-total-sonic-annihilation-2.yaml create mode 100644 data/hardware/death-by-audio-waveformer-destroyer.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-apocalypse.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-bass-war.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-disturbance.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-echo-dream-2.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-echo-master.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-evil-filter.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-fuzz-war.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-germanium-filter.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-interstellar-overdriver.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-micro-dream.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-reverberation-machine.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-robot.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-rooms.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-space-bender.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-supersonic-fuzz-gun.yaml create mode 100644 data/hardware/death-by-audio-xcolorway-tonal-sonic-annihilation-2.yaml diff --git a/.changeset/import-death-by-audio.md b/.changeset/import-death-by-audio.md new file mode 100644 index 000000000..2eb77c200 --- /dev/null +++ b/.changeset/import-death-by-audio.md @@ -0,0 +1,5 @@ +--- +"catalog": minor +--- + +Import Death By Audio (59 hardware/software entries). diff --git a/data/accessories/death-by-audio-mic-stand-clip-backplate.yaml b/data/accessories/death-by-audio-mic-stand-clip-backplate.yaml new file mode 100644 index 000000000..d116dc0a7 --- /dev/null +++ b/data/accessories/death-by-audio-mic-stand-clip-backplate.yaml @@ -0,0 +1,9 @@ +id: lPpbbEJrDiB2Eo9AOuGFj +name: Mic Stand Clip Backplate +manufacturer: death-by-audio +primaryCategory: mic-stand +url: https://deathbyaudio.com/products/mic-stand-clip-backplate-for-vocal-pedals +description: A replacement backplate that attaches the Echo Master or Space + Ensemble pedal to a microphone stand for live vocal performance. +details: |- + MOUNT YOUR ECHO MASTER TO YOUR MIC STAND Replaces the backplate of the Echo Master (and Space Ensemble!) to attach to your mic stand. Puts the pedal within hand reach to maximize live vocal performance tweak-ability. This new model (V3) has been upgraded with a handgrip screw for more torque. (Although this resembles the V1, this version is much stronger and sturdier than the original model). Weight: 14.7 oz. Dims (including hardware): 6" x 4.2" x 2.54" **Please note: Microphone, cords, and stand are not included. diff --git a/data/accessories/death-by-audio-photo-modulator.yaml b/data/accessories/death-by-audio-photo-modulator.yaml new file mode 100644 index 000000000..d279e0f57 --- /dev/null +++ b/data/accessories/death-by-audio-photo-modulator.yaml @@ -0,0 +1,10 @@ +id: D87F9BqXckY1Eyg455EHA +name: Photo Modulator +manufacturer: death-by-audio +primaryCategory: other +url: https://deathbyaudio.com/products/photomodulator +description: A compact light-sensitive controller housed in a right-angle + quarter-inch jack that lets any light source manipulate expression + pedal-compatible effects. +details: |- + Stick it where the sun does shine! The PHOTO MODULATOR is a compact, light-sensitive controller that allows you to manipulate expression pedal-compatible effects using any light source. Shine a bright light - such as a strobe, flashlight, stage light, or even a lava lamp - onto the sensor to sweep your effect one way. Cover it in shadow, and it sweeps the other. It works just like an expression pedal: light = toe down, dark = heel down. Housed in a right-angle ¼” jack for an ultra-small footprint, it’s easy to aim the sensor at your desired light source. No batteries required. Details The PHOTO MODULATOR uses a passive photoresistor circuit to allow almost any expression pedal-compatible pedal to be manipulated by light. Shining a bright light on the lens simulates putting your toe down on an expression pedal, and covering it in darkness simulates putting your heel down. This means you can connect the PHOTO MODULATOR to the ROOMS , EVIL FILTER , the new CROSSOVER FUZZ , or many of your favorite expression-control pedals and to instantly open it to the endless possibilities of light control! Specifications Electrical Details The PHOTO MODULATOR uses a cadmium-sulfide photoresistor connected between the tip and ring of the ¼” jack. Its resistance changes with light: Bright light: <1k Complete darkness: >1MΩ A 47kΩ resistor connects the ring to the sleeve, mimicking the behavior of the potentiometer found in most passive expression pedals. This configuration ensures compatibility with a wide range of effects that accept standard expression pedal input. Physical Details Dimensions: 2.6” x 1.9” x 0.6” Weight: 0.09 oz. Regulatory Notice: The PHOTO MODULATOR contains a cadmium-sulfide-based photoresistor. Due to the presence of this material, the device is not compliant with the following environmental safety regulations: EU Directive 2011/65/EU (RoHS) UK RoHS China RoHS K-RoHS (Korea) Taiwan RoHS As a result, it cannot be sold, shipped, or distributed in the European Union, the United Kingdom, China, Korea, or Taiwan. Digital Manual diff --git a/data/accessories/death-by-audio-power-all-power-supply.yaml b/data/accessories/death-by-audio-power-all-power-supply.yaml new file mode 100644 index 000000000..f91f46421 --- /dev/null +++ b/data/accessories/death-by-audio-power-all-power-supply.yaml @@ -0,0 +1,8 @@ +id: sCMUCgZsjBh2jvMmjNr15 +name: Power-All Power Supply +manufacturer: death-by-audio +primaryCategory: other +url: https://deathbyaudio.com/products/power-all-power-supply-echo-master-replacement +description: A replacement power supply for the Echo Master pedal. +details: |- + Replacement Power supply diff --git a/data/accessories/death-by-audio-raw-power.yaml b/data/accessories/death-by-audio-raw-power.yaml new file mode 100644 index 000000000..4a42b71a9 --- /dev/null +++ b/data/accessories/death-by-audio-raw-power.yaml @@ -0,0 +1,9 @@ +id: CiJc1ChHIv75sb1kivuVv +name: Raw Power +manufacturer: death-by-audio +primaryCategory: other +url: https://deathbyaudio.com/products/raw-power +description: A low-noise, high-current power supply for pedalboards compatible + with any international voltage specification. +details: |- + The Power Your Pedals Crave Let’s cut the noise—literally. Introducing Raw Power, the power supply built for the musicians who demand only the best for their pedalboard. It’s cleaner. It’s tougher. It’s got enough juice to fuel a pedal army, and it works anywhere in the world. No compromises. Details Silence the Static Tired of noise stacking up and killing your tone? Raw Power runs so quiet, you might think your pedals are whispering sweet nothings. Perfect for recording, rehearsing, or shredding on stage. Big Power for Big Rigs Got 30+ pedals? No problem. Raw Power laughs in the face of your sprawling pedalboard and keeps the energy flowing no matter what you throw at it. Global Domination Ready Wherever your music takes you, Raw Power ’s got your back. Raw Power works with any international power specification. Plug it in, power up, and play. Built for Battle It’s a Death By Audio product, so you know it’s a tank. Take it on tour, drop it, kick it—it’s ready to power through whatever chaos you throw at it. Your sound is everything. Don’t let a noisy, weak power supply ruin it. Step up to Raw Power —because your tone deserves the best, and anything less is unacceptable. Pure power. Zero compromise. Are you in? NOTE: Does not include daisy chain. Specifications Electrical Input Voltage: 100-240VAC Nominal Output Voltage: 9 VDC, Center-Negative Maximum Output Current: 3 A Physical AC Connector: American Type-A Plug (Universal Adapter-Compatible) DC Connector: 2.1mm Barrel Dimensions: 2.88" x 1.19" x 2.57*" (*includes plug prongs) Cable Length: 120" Weight: 7.7 oz. diff --git a/data/accessories/death-by-audio-trs-patch-cable.yaml b/data/accessories/death-by-audio-trs-patch-cable.yaml new file mode 100644 index 000000000..6cca74298 --- /dev/null +++ b/data/accessories/death-by-audio-trs-patch-cable.yaml @@ -0,0 +1,9 @@ +id: lMwwGYitOjGZP5lEB3zMT +name: TRS Patch Cable +manufacturer: death-by-audio +primaryCategory: cable +url: https://deathbyaudio.com/products/flat-pedal-trs-cable +description: A 6-inch TRS stereo patch cable compatible with the Destroyer + Series pedal line. +details: |- + 6" TRS Stereo Patch Cable, compatible with our Destroyer Series line. diff --git a/data/accessories/death-by-audio-trs-y-split-cable.yaml b/data/accessories/death-by-audio-trs-y-split-cable.yaml new file mode 100644 index 000000000..0dba338a4 --- /dev/null +++ b/data/accessories/death-by-audio-trs-y-split-cable.yaml @@ -0,0 +1,9 @@ +id: bLx5UymC97QmpY0lJ2fuP +name: TRS Y-Split Cable +manufacturer: death-by-audio +primaryCategory: cable +url: https://deathbyaudio.com/products/trs-y-split-cable +description: An adapter cable that splits a TRS stereo cable into two mono TS + cables for use with stereo pedals. +details: |- + Adapter cable to split a TRS stereo cable to two Mono cables, compatible with our Destroyer Series line. diff --git a/data/hardware/death-by-audio-absolute-destruction-2.yaml b/data/hardware/death-by-audio-absolute-destruction-2.yaml new file mode 100644 index 000000000..70e0959d3 --- /dev/null +++ b/data/hardware/death-by-audio-absolute-destruction-2.yaml @@ -0,0 +1,44 @@ +id: zqzWhUoXp8zMxZBNLF8GP +name: ABSOLUTE DESTRUCTION +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - octave + - pedal +capabilities: + - fuzz + - distortion + - octave + - compression +url: https://deathbyaudio.com/products/absolute-destruction +description: A fuzz/distortion pedal built around a power amplifier IC with Gain + and Overload sliders that interact to create fuzz, octave, distortion and + self-destructing texture effects. +details: |- + OUR MOST INSANE PEDAL YET This might be our craziest pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? How about a crushing distortion tone? Sure, you can do that, and it'll sound great. But you can also push the OVERLOAD slider into blooming, octave nastiness; push it further and starve the circuit until your signal eats itself. Crank it to the maximum and your sound will duck completely into the void before it returns to life with a relentless vengeance. Details The Absolute Destruction harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. Controls MASTER VOLUME Controls the output volume of the effect. OVERLOAD Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left, it pulverizes the sound more rapidly. GAIN Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Sound Samples Mustang High-Gain Octave Low-Gain Maxxed Out Swell Maxxed Out Staccato Jazz Bass Maxxed Out Octafuzz Swell Vox Bass Everything Down High Noon High-Gain Overloaded Freak-Out +io: + - key: yk1Os955 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: q3DBzibe + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: EXTT0aas + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-absolute-destruction.yaml b/data/hardware/death-by-audio-absolute-destruction.yaml new file mode 100644 index 000000000..b07aaf51c --- /dev/null +++ b/data/hardware/death-by-audio-absolute-destruction.yaml @@ -0,0 +1,44 @@ +id: Pa_k7588VjRx8KkMd7p5d +name: ABSOLUTE DESTRUCTION +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - octave + - pedal +capabilities: + - fuzz + - distortion + - octave + - compression +url: https://deathbyaudio.com/products/absolute-destruction-copy +description: A fuzz/distortion pedal built around a power amplifier IC with Gain + and Overload sliders that interact to create fuzz, octave, distortion and + self-destructing texture effects. +details: |- + OUR MOST INSANE PEDAL YET This might be our craziest pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? How about a crushing distortion tone? Sure, you can do that, and it'll sound great. But you can also push the OVERLOAD slider into blooming, octave nastiness; push it further and starve the circuit until your signal eats itself. Crank it to the maximum and your sound will duck completely into the void before it returns to life with a relentless vengeance. Details The Absolute Destruction harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. Controls MASTER VOLUME Controls the output volume of the effect. OVERLOAD Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left, it pulverizes the sound more rapidly. GAIN Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Sound Samples Mustang High-Gain Octave Low-Gain Maxxed Out Swell Maxxed Out Staccato Jazz Bass Maxxed Out Octafuzz Swell Vox Bass Everything Down High Noon High-Gain Overloaded Freak-Out +io: + - key: YJfjVgKv + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: gYgejch3 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 5QuzZNSG + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-amp-crash.yaml b/data/hardware/death-by-audio-amp-crash.yaml new file mode 100644 index 000000000..f32097272 --- /dev/null +++ b/data/hardware/death-by-audio-amp-crash.yaml @@ -0,0 +1,53 @@ +id: jr4t_ZUBpEyQ_lGIOns5H +name: AMP CRASH +manufacturer: death-by-audio +primaryCategory: amplifier +categories: + - pedal + - reverb + - delay + - chorus +capabilities: + - amp-modeling + - reverb + - delay + - chorus + - distortion + - fuzz +url: https://deathbyaudio.com/products/amp-crash +description: A pedal containing a real 3-watt amplifier, internal speaker, and + microphone, blending the direct and mic'd amp signal with built-in reverb, + echo and chorus effects. +specs: |- + - WOW. We crashed the internet with this release! but another batch will be ready soon. + - Orders placed before #DBA2064 3 are scheduled to ship by Sept 2nd. The first batch of preorders is estimated to ship on/around the week of Sept 7th. Also check your local music store for stock . We really appreciate all the support for AMP CRASH! + - A collaboration between Death By Audio and Rainger FX + - Real 3-watt amplifier, internal 2” speaker, and microphone built into the pedal + - Built-in Reverb, Echo, and Chorus effects + - Great for recording, practice, experimentation, or adding a real amp to your pedalboard + - Lifetime warranty +io: + - key: 4MNndUgL + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: pOgmLoSj + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: PAcNjhng + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-apocalypse.yaml b/data/hardware/death-by-audio-apocalypse.yaml new file mode 100644 index 000000000..c52ac18e1 --- /dev/null +++ b/data/hardware/death-by-audio-apocalypse.yaml @@ -0,0 +1,47 @@ +id: pDjfqUSbptoeETaxB1D__ +name: APOCALYPSE +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - octave + - equalizer + - pedal +capabilities: + - fuzz + - distortion + - octave + - overdrive + - boost + - equalization +url: https://deathbyaudio.com/products/apocalypse +description: A multi-mode fuzz pedal that routes an overdriven signal into one + of five selectable post-amplifiers for different fuzz, octave and distortion + tones, with a sweepable frequency equalizer. +details: |- + FUZZ TO THE NEXT LEVEL The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to one of five selectable post-amplifiers for five wild and unique fuzz tones. Toggle through its five signal paths and choose your desired apocalyptic sound. To further refine this beast, control the Sweepable Frequency Equalizer and carve your tone out just the way you like it. Use this pedal as a boost for solos, an amp simulated recording DI, your main fuzz sound, a bass blitzer, or run anything into it you want to beef up, blast out, destroy, or supercharge!! Controls Knobs Volume Adjusts the output volume of the pedal. Drive Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts. Sweepable Frequency Equalizer This is a special tone knob designed to function as a multitude of tone controls simultaneously. Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound. Rotary Selector Twin-T Scoop A circuit adding bass and treble simultaneously. Quieter volume than the rest. War Fuzz A very full and dynamic distortion with rich harmonics and sustain. Dual J-FET Similar to the War Fuzz setting using dual J-FETs to get its sound. Octave Rect Sums the bottom and top halves of a waveform to create an octave up. Gain x1000 The gain is cranked super high on this post amp causing erratic results. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5.8 mA Physical Details Dimensions: 5.87" x 4.72" x 2.46" (including hardware) Weight: 20 oz. Sound Samples Twin-T Scoop Guitar Punk Guitar Rock Bass Fuzz Attack Synth Shredder War Fuzz Guitar Straight-Ahead Guitar Heavy Riff Bass Scooped Riff Synth Scooped Dirt Dual J-FET Guitar Metal Chug Bass Doom Synth Smashed Solo Octave Rect Guitar Rip and Tear Bass Classic Fizz Synth Smashed Commlink Gain x1000 Guitar Searing Solo Guitar Collapsing Chug Guitar Speaker Ripper Bass Rumble Fuzz Synth Screamer +io: + - key: Ba4lSTFO + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: zVmeQsKa + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: t27nWXQq + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-bass-war.yaml b/data/hardware/death-by-audio-bass-war.yaml new file mode 100644 index 000000000..1c510b5c7 --- /dev/null +++ b/data/hardware/death-by-audio-bass-war.yaml @@ -0,0 +1,43 @@ +id: SeK1rXkBwvDOYuSWoTNFA +name: BASS WAR +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - octave + - filter + - pedal +capabilities: + - fuzz + - distortion + - octave + - filter +url: https://deathbyaudio.com/products/bass-war +description: A bass-focused octave fuzz pedal with extended gain range, a + notch-filter tone sweep, and a mix control to blend clean and fuzz signals. +details: |- + We’ve hit a new low. From this moment forward, the power and intensity of bass fuzz is changed forever. The Bass War by Death By Audio is a louder, wider-ranging, earth-shaking bass fuzz that can get more oomph than any other pedal we’ve ever heard. Details The Bass War began with the idea that we could make a version of the Fuzz War that was even more perfect for bass. Twisting classic circuit ideas to our own tastes, we’ve crafted a wicked, harmonically rich octave fuzz. It boasts extraordinary levels of gain, a massive tone sweep, and a MIX control, providing everything you need for the ultimate bass fuzz at your fingertips. It sounds freaking amazing but it doesn’t stop there, the Bass War goes BEYOND that and can deliver more volume, more tones, more fuzz, and more sonic syrup guaranteed to turn the heads of any bystander. The controls have super-extended ranges that let you dial in so many wildly different tones that are all surprisingly useful and HEAVY. Roll the FUZZ knob back for a dirty, sleazy, grinding drive, turn it up to noon for a super thick distortion, and then alllllll the way up for a blistering wall of total destruction. The TONE knob is a notch filter that transforms the overall sonic spectrum of the fuzz to sound like you are sweeping through an arsenal of 100 different fuzz pedals. Combine this with insane volume on tap and a MIX knob to get the extreme fuzz and distortion you always wanted for your bass without sacrificing volume or floor-shaking subs. Wrap it all up in a DBA punk-style raw enclosure with spray-painted graphics, and all that’s left to do is find a time machine so you can re-record all those old bass parts! Controls VOLUME Controls the overall output level from -inf to +27 dB, 10 o'clock is close to unity volume. WARNING: The Bass War is capable of extreme volume! FUZZ Controls the gain of the fuzz from +16 to +64 dB. Ranges from raunchy drive, to smooth fuzz, to overloaded insanity. TONE Sweeps a deep notch filter tuned for a wide range of 98 Hz to 3.3 kHz. This radically reshapes the fuzz sound for a massive range of tones. MIX Blends between your clean sound and the fuzz. Blending in your clean tone helps your notes stay articulate, balanced, and bassy against the huge sound of the fuzz circuitry. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 33 mA Physical Details Dimensions: 5.9" x 4.73" x 2.24" (including hardware) Weight: 15.5 oz. Sound Samples Bass Porcupine Fuzz Plucks of Doom Climbing the Crush Blown Circuits Guitar Classic Fuzz Metal Domination Beyond Crushed Ascending Chaos Digital Manual +io: + - key: NS4aD952 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: dhhkm8MC + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uQu5PoLT + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-crossover-fuzz-2.yaml b/data/hardware/death-by-audio-crossover-fuzz-2.yaml new file mode 100644 index 000000000..667a5f6a7 --- /dev/null +++ b/data/hardware/death-by-audio-crossover-fuzz-2.yaml @@ -0,0 +1,68 @@ +id: 3Y1vpx5CwR0MV0pOccIB_ +name: CROSSOVER FUZZ +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - filter + - stereo + - pedal +capabilities: + - fuzz + - filter + - distortion + - stereo-widening +url: https://deathbyaudio.com/products/crossover-fuzz +description: A dual-band fuzz pedal that splits the signal into high and low + frequency bands via linked crossover filters, each independently fuzzed, with + CV/expression control and stereo routing options. +details: |- + Fuzz So Heavy, It Had to Be Split The Crossover Fuzz is a screaming, swirling filter-fuzz monster. It takes your signal, slices it into high and low frequencies, and then absolutely wrecks each band with Death By Audio’s signature fuzz. Like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows), letting you shape, destroy, and reimagine your tone like never before. Details Want to blow through the mix on stage? Crank the Freq knob to sweep two analog resonant filters in tandem, carving out sonic space with surgical precision or dialing in chaotic, oscillating madness. Adjust the volume of your highs and lows separately for gritty tone sculpting or dial in your dream EQ. With its HIGH and LOW inputs and outputs, you can use the Crossover Fuzz like no other fuzz on the planet: split your signal to different amps, isolate frequencies for creative effect routing, or use it as a stereo panner that slings frequencies across the room. You can even control the filter sweep with CV or expression, and the LED display reacts in real time to show you exactly where your crossover sits. Bonus: it looks sick on a dark stage. This isn’t just a fuzz pedal. It’s a multi-dimensional fuzz engine. It’s Frankenstein’s monster, and it shreds. Key Features: Savage Dual-Band Fuzz - Splits your signal into highs and lows and demolishes them separately. All-Analog Signal Path - Classic DBA tone with zero compromise. Dual-Linked Filters - High-pass and low-pass filters with frequencies controlled in tandem. Independent Gain & Volume for Highs and Lows - Total control over each side of the spectrum. Deadly Resonant Filter - From subtle sweeps to screaming frequency spikes. Flexible I/O Routing - HIGH and LOW ins/outs can split, combine, or stay mono. Amp Splitting Made Easy - Send highs to your guitar amp, lows to a bass amp. Stereo Compatibility - Works with stereo setups for massive spatial tone sculpting. CV/Expression Input - Modulate the crossover point in real time. Reactive LED Display - Glows and shifts color based on your filter position. Tour-Grade Build Quality - Rugged enclosure ready to outlive your van. Controls FREQ Frequency of the low-pass and high-pass filters. The low-pass ranges from 30Hz to 7.6kHz and the high-pass ranges from 80Hz-17kHz. RES Resonance of the filters. Ranges from smooth, to hyper focused, to nasty oscillation. GAIN Amount of gain going into each filter. Ranges from clean, to overdrive, to towering fuzz. VOL Output level of each filter. FREQ EXP (Side Jack) Controls the filter frequency with an expression pedal or 0-5V external CV. Automate panning, filtering, stereo sweeps, and more. The FREQ knob will set the minimum frequency that your expression pedal or CV will go down to. Down = MAX RANGE. Tip - Out, Ring - 5V, Sleeve - GND. Light Switch (Internal) Changes the color set of the LEDS. “Sky Light”: Low-pass = Yellow, High-pass = Cyan “Cyber Light”: Low-pass = Red, High-pass = Blue Inputs and Outputs The CROSSOVER FUZZ features unique dual inputs and outputs, allowing for a wide range of pedalboard configurations, amp setups, and creative experimentation. Mono Plug into either INPUT H or INPUT L and the HIGHS MONO output. This combines both the low-pass and high-pass signals into a single summed output. Stereo to Mono Plug into INPUT H and INPUT L, then connect to the HIGHS MONO output. This sums both the low-pass and high-pass signals into a single output. Mono to Stereo Plug into either INPUT H or INPUT L and connect both the HIGHS and LOWS outputs. This splits your signal into stereo: the LOWS output carries the low-pass signal, while the HIGHS output carries the high-pass signal. Stereo When both inputs and outputs are used, INPUT L routes to the LOW output, and INPUT H routes to the HIGHS output for full stereo separation. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. We recommend Death By Audio’s RAW POWER power supply for optimal performance. Current Draw: 120 mA Physical Details Dimensions: 5.73” x 5.2” x 2.37” (including hardware) Weight: 18.5 oz. Sound Samples Jaguar, Twin Reverb Highpass Sizzle Fuzzy Lows Wailing Solo Clean Sweep Destroyed Sweep Yamaha Bass, B15 Slow Wah Bassline Slow Transformation Stutter Bass (Controlled by DISTURBANCE) Big Filter Riff (Controlled by DISTURBANCE) Others Stereo Reverb Sweep (with ROOMS) Stereo Overdrive Verb (with ROOMS) Flanger Chug (with DISTURBANCE on HIGHS) Cocked Distortion Split (LOWS: INTERSTELLAR OVERDRIVER) (HIGHS: BASS WAR) Heavy Bass Split (LOWS to B15, HIGHS to Twin Reverb) Digital Manual +io: + - key: qeeovZkf + name: Input H + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2m9AWkpV + name: Input L + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: tJuuzDtH + name: Highs Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: BW4WdqCq + name: Lows Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: JD4vbjNW + name: Freq Exp + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 6niwMh3S + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-crossover-fuzz.yaml b/data/hardware/death-by-audio-crossover-fuzz.yaml new file mode 100644 index 000000000..4a6dc85d4 --- /dev/null +++ b/data/hardware/death-by-audio-crossover-fuzz.yaml @@ -0,0 +1,68 @@ +id: WhaxuJuYAadilPxZZGlix +name: CROSSOVER FUZZ +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - filter + - stereo + - pedal +capabilities: + - fuzz + - filter + - distortion + - stereo-widening +url: https://deathbyaudio.com/products/crossover-fuzz-copy +description: A dual-band fuzz pedal that splits the signal into high and low + frequency bands via linked crossover filters, each independently fuzzed, with + CV/expression control and stereo routing options. +details: |- + Fuzz So Heavy, It Had to Be Split The Crossover Fuzz is a screaming, swirling filter-fuzz monster. It takes your signal, slices it into high and low frequencies, and then absolutely wrecks each band with Death By Audio’s signature fuzz. Like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows), letting you shape, destroy, and reimagine your tone like never before. Limited Edition White Crossover Fuzz Available at Reverb! Details Want to blow through the mix on stage? Crank the Freq knob to sweep two analog resonant filters in tandem, carving out sonic space with surgical precision or dialing in chaotic, oscillating madness. Adjust the volume of your highs and lows separately for gritty tone sculpting or dial in your dream EQ. With its HIGH and LOW inputs and outputs, you can use the Crossover Fuzz like no other fuzz on the planet: split your signal to different amps, isolate frequencies for creative effect routing, or use it as a stereo panner that slings frequencies across the room. You can even control the filter sweep with CV or expression, and the LED display reacts in real time to show you exactly where your crossover sits. Bonus: it looks sick on a dark stage. This isn’t just a fuzz pedal. It’s a multi-dimensional fuzz engine. It’s Frankenstein’s monster, and it shreds. Key Features: Savage Dual-Band Fuzz - Splits your signal into highs and lows and demolishes them separately. All-Analog Signal Path - Classic DBA tone with zero compromise. Dual-Linked Filters - High-pass and low-pass filters with frequencies controlled in tandem. Independent Gain & Volume for Highs and Lows - Total control over each side of the spectrum. Deadly Resonant Filter - From subtle sweeps to screaming frequency spikes. Flexible I/O Routing - HIGH and LOW ins/outs can split, combine, or stay mono. Amp Splitting Made Easy - Send highs to your guitar amp, lows to a bass amp. Stereo Compatibility - Works with stereo setups for massive spatial tone sculpting. CV/Expression Input - Modulate the crossover point in real time. Reactive LED Display - Glows and shifts color based on your filter position. Tour-Grade Build Quality - Rugged enclosure ready to outlive your van. Controls FREQ Frequency of the low-pass and high-pass filters. The low-pass ranges from 30Hz to 7.6kHz and the high-pass ranges from 80Hz-17kHz. RES Resonance of the filters. Ranges from smooth, to hyper focused, to nasty oscillation. GAIN Amount of gain going into each filter. Ranges from clean, to overdrive, to towering fuzz. VOL Output level of each filter. FREQ EXP (Side Jack) Controls the filter frequency with an expression pedal or 0-5V external CV. Automate panning, filtering, stereo sweeps, and more. The FREQ knob will set the minimum frequency that your expression pedal or CV will go down to. Down = MAX RANGE. Tip - Out, Ring - 5V, Sleeve - GND. Light Switch (Internal) Changes the color set of the LEDS. “Sky Light”: Low-pass = Yellow, High-pass = Cyan “Cyber Light”: Low-pass = Red, High-pass = Blue Inputs and Outputs The CROSSOVER FUZZ features unique dual inputs and outputs, allowing for a wide range of pedalboard configurations, amp setups, and creative experimentation. Mono Plug into either INPUT H or INPUT L and the HIGHS MONO output. This combines both the low-pass and high-pass signals into a single summed output. Stereo to Mono Plug into INPUT H and INPUT L, then connect to the HIGHS MONO output. This sums both the low-pass and high-pass signals into a single output. Mono to Stereo Plug into either INPUT H or INPUT L and connect both the HIGHS and LOWS outputs. This splits your signal into stereo: the LOWS output carries the low-pass signal, while the HIGHS output carries the high-pass signal. Stereo When both inputs and outputs are used, INPUT L routes to the LOW output, and INPUT H routes to the HIGHS output for full stereo separation. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. We recommend Death By Audio’s RAW POWER power supply for optimal performance. Current Draw: 120 mA Physical Details Dimensions: 5.73” x 5.2” x 2.37” (including hardware) Weight: 18.5 oz. Sound Samples Jaguar, Twin Reverb Highpass Sizzle Fuzzy Lows Wailing Solo Clean Sweep Destroyed Sweep Yamaha Bass, B15 Slow Wah Bassline Slow Transformation Stutter Bass (Controlled by DISTURBANCE) Big Filter Riff (Controlled by DISTURBANCE) Others Stereo Reverb Sweep (with ROOMS) Stereo Overdrive Verb (with ROOMS) Flanger Chug (with DISTURBANCE on HIGHS) Cocked Distortion Split (LOWS: INTERSTELLAR OVERDRIVER) (HIGHS: BASS WAR) Heavy Bass Split (LOWS to B15, HIGHS to Twin Reverb) Digital Manual +io: + - key: xk10wPNI + name: Input H + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: hRpNqV0R + name: Input L + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: YkrLSEA7 + name: Highs Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: heMNhGd2 + name: Lows Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: NmLfb124 + name: Freq Exp + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: A3R3H2qa + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-deep-animation.yaml b/data/hardware/death-by-audio-deep-animation.yaml new file mode 100644 index 000000000..7d0c46439 --- /dev/null +++ b/data/hardware/death-by-audio-deep-animation.yaml @@ -0,0 +1,51 @@ +id: bOvKBLwbyVB9XHxfNOuM6 +name: DEEP ANIMATION +manufacturer: death-by-audio +primaryCategory: envelope-filter +categories: + - filter + - overdrive + - pedal +capabilities: + - filter + - overdrive + - distortion +url: https://deathbyaudio.com/products/deep-animation-copy +description: An envelope filter pedal that sweeps its filter in response to + playing dynamics or an external trigger, with selectable frequency ranges and + overdrive. +details: |- + ENVELOPE FILTER WITH SERIOUS ATTITUDE END OF LIFE. WE WILL NO LONGER PRODUCE THIS PEDAL SO GET IT WHILE YOU CAN :( This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! Controls Sensitivity Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude Intensity Simultaneously blends in the resonance, amount, and grit of the filter Vol Controls the output volume of the effect Up / Down Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite Bypass True bypass the effect Jacks Input Plug an instrument in to this jack Trig Plug another instrument in to this jack and use it to trigger the filter sweep Out Connect this to the amplifier Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 18 mA Physical Details Dimensions: 5.92" x 4.72" x 2.34" (including hardware) Weight: 21 oz. +io: + - key: XFJvyL4F + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: oHdayvqB + name: Trig + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: fjZrDd1j + name: Out + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: t9JEgsc3 + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-disturbance.yaml b/data/hardware/death-by-audio-disturbance.yaml new file mode 100644 index 000000000..84d1416fd --- /dev/null +++ b/data/hardware/death-by-audio-disturbance.yaml @@ -0,0 +1,51 @@ +id: rT_GT5JPjko3ZufZA0did +name: DISTURBANCE +manufacturer: death-by-audio +primaryCategory: modulation +categories: + - filter + - flanger + - phaser + - pedal +capabilities: + - filter + - flanger + - phaser +url: https://deathbyaudio.com/products/disturbance +description: A modulation pedal offering filter, flanger, and phaser modes with + freezable LFO modulation and a CV output jack for controlling other devices. +details: |- + PLEASE, DO DISTURB Introducing the DISTURBANCE: an innovative filter, flanger, and phaser pedal offering unparalleled modulation. With the DISTURBANCE's intuitive controls, sculpt your sound precisely to your liking. The 'Tensity' knob adjusts feedback and effect structure, providing two distinct intensity options for each unique modulation. Details Dive deep into sonic exploration with the Filter, offering both highpass and lowpass options for resonant swells and piercing tones. Experience classic modulation with the Flanger, offering versatile settings from watery delays to screaming flange effects with distorted feedback. Enter the realm of psychedelia with the Phaser mode, featuring an 8-stage phaser sound with options for filtered scoops or a blend of phaser/flanger tones. But that's not all - the DISTURBANCE introduces a groundbreaking control system. Its custom-designed modulation core allows you to freeze the LFO mid-cycle, creating captivating frozen modulation effects. Additionally, the pedal features a CV OUT jack, enabling modulation control signal transmission to compatible devices. (Ones that are brave enough) Controls Effect Controls Filter/Flanger/Fazer This switch selects the modulation type. Tensity This knob sets the intensity of the effect, with different "-" and "+" mode for each modulation type. LFO Controls Center Point This knob sets the center point for the modulation LFO. Width This knob sets the width of the modulation LFO. Speed This knob sets the speed of the modulation LFO. Trip (Stomp) This stomp freezes the LFO at its current position. Pressing it again resumes the LFO cycle wherever it left off. CV Out Never before seen, the DISTURBANCE features a CV OUT jack which allows it to control other pedals and devices. This lets you explore the world of LFO freezing goodness with all of your favorite Death By Audio pedals with expression and beyond. Have a favorite pedal with an expression in? Try it out! The CV OUT will send a voltage following the LFO and can interact with all kinds of different effects. Eurorack fan? Go ahead and plug the LFO into your favorite oscillator, filter, or any unit you love and see how flexible and powerful this control can be. The CV OUT is set to about 0-5 V by default. This can be trimmed down to near 0 V or up to 7 V using the internal CV LEVEL trimmer. Specifications Electrical Specs Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 67 mA CV Output Voltage: 0-7 V (Trimmable) Physical Specs Dimensions: 4.95" x 3.95" x 2.6" (including hardware) Weight: 13 oz. Sound Samples Filter Sci-fi Jazz Sweeping Fuzz Bass Groan Bass Scream Bass Wah Flanger Big Chords Subtle Bends Fuzz Flange Bass Ring Bass Resonance Fazer Fuzz Faze Classic Faze+Flange Bass Frozen Faze Bass Faze+Flange Bass Riffing +io: + - key: 2fi1yGoI + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WqJMsovH + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 3lCFP32b + name: CV Out + signalFlow: output + category: audio + type: cv/gate + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: tdQFD5sK + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-dream-station.yaml b/data/hardware/death-by-audio-dream-station.yaml new file mode 100644 index 000000000..e1c40efa7 --- /dev/null +++ b/data/hardware/death-by-audio-dream-station.yaml @@ -0,0 +1,53 @@ +id: Gawrm0JyVtfBPQ_razORh +name: DREAM STATION +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - delay + - filter + - stereo + - pedal +capabilities: + - reverb + - delay + - filter + - stereo-widening +url: https://deathbyaudio.com/products/dream-station +description: A compact stereo pedal combining reverb and delay effects with + three filter settings for shaping tone, including ping-pong style stereo + output. +details: |- + The Dream Station is like two Death By Audio pedals in one! It’s an instant mood creator, blending DBA-style reverb and delay to plunge your signal into a vivid fantasy hallucination. Three filter settings let you radically shape the tone and character of the effects, opening up a myriad of soundscapes at your fingertips and exploding your sound into super-wide stereo. Need some stereo cables? +io: + - key: WBZtPkSN + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: XFn8PFCN + name: Output L + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: raybq4VY + name: Output R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uAIFlw0k + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-echo-dream-2.yaml b/data/hardware/death-by-audio-echo-dream-2.yaml new file mode 100644 index 000000000..c9f2f4d86 --- /dev/null +++ b/data/hardware/death-by-audio-echo-dream-2.yaml @@ -0,0 +1,43 @@ +id: ru889pJEMI5BhgAlF_GDe +name: ECHO DREAM 2 +manufacturer: death-by-audio +primaryCategory: delay +categories: + - chorus + - fuzz + - pedal +capabilities: + - delay + - chorus + - fuzz + - distortion +url: https://deathbyaudio.com/products/echo-dream-2 +description: A modulating delay pedal with feedback, chorus-like modulation, and + a built-in fuzz to distort the repeats. +details: |- + LUSH MODULATING ECHO A powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream 2 is ready to transform anything you throw at it. Controls Master Controls MASTER Controls the output volume of the effect. FUZZ Sets the amount of gain, from clean to fuzzed-out bliss. This gain is after the echo and will make both the clean and the echoes distorted when cranked up. DELAY Sets the volume of the delayed signal. Echo Controls D TIME Controls the delay time (numbers shown in milliseconds) between 20 ms and 1 second. Long delay times can create flutter, noise, and distortion. FBACK Controls the feedback of the delays, from slapback to wild runaway oscillation. DRY TOGGLE UP Allows the dry signal through DOWN Kills the dry signal (only the repeats will be heard) Modulation Controls SPEED Controls how fast the modulating oscillator runs. DEPTH Sets how for the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift very far! SHAPE TOGGLE UP Smoother, sine-like modulator waveform DOWN Sharp, square-shaped modulator waveform Specifications Power Details Power Supply: 9V, 12V, or 18V VDC supply with 2.1mm negative center barrel (many non-9V supplies will vary their polarities so double check!) Current Draw: 40 mA Physical Details Dimensions: 5.87" x 4.72" x 2.35" (including hardware) Weight: 21 oz. Sound Samples Strat Bending Echoes Chorus-y Delay Bending Chaos Drunken Stumble Puzzled Twitch Twisted Plucks Torn Asunder Evil Twin Jazz Bass Thumping Chorus Memories Delay Bendy Fuzz Unholy Descent Just Fuzz! All Over Echo Riff Synth Lo-Fi Plucks Plunk Wiggle Big Bends Huge Vibrato +io: + - key: CZwhPBAz + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Y2ScVWmP + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: xXGqaQeb + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-echo-master-uk.yaml b/data/hardware/death-by-audio-echo-master-uk.yaml new file mode 100644 index 000000000..caf569f20 --- /dev/null +++ b/data/hardware/death-by-audio-echo-master-uk.yaml @@ -0,0 +1,58 @@ +id: EI3KiwBga919TateN9vWG +name: ECHO MASTER +manufacturer: death-by-audio +primaryCategory: delay +categories: + - preamp + - vocal-processor + - pedal +capabilities: + - delay + - feedback-suppression +url: https://deathbyaudio.com/products/echo-master-uk +description: A lo-fi analog tape-style delay unit designed for vocals, featuring + a transformer-balanced mic preamp, XLR jacks, and an effects loop for patching + other pedals into the vocal chain. +details: |- + PSYCHEDELIC VOCAL TRIP Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Details This multitasking analog tape-style echo rules––onstage, it delivers lush vocals shrouded in dusky analog repeats, and it’s invaluable in the studio while recording, reamping, mixing, and more. It’s carefully voiced to avoid shrieking monitor feedback, includes a robust transformer-balanced mic preamp, sturdy Neutrik XLR jacks, and is equipped with an impedance-matching effects loop so you can patch other pedals in your vocal chain. An (optional) mic clip backplate puts the controls within reach during performances so you can tweak the delay effect as you sing, effectively remixing yourself (or your bandmates) live. Best of all, the Echo Master puts total control over your vocal sound at your fingertips, so you get the sound you want, when you want it, all of the time. Since changeovers at shows can happen quickly and there isn’t always time for soundcheck, the Echo Master gets you amplified and rocking with consistent high-quality echo effects in no time at all. Simply plug your microphone into the mic input, connect the sound engineer’s vocal line to the mic output, plug your pedals into the effects loop, and there’s still time to order another drink before you play. When you’re ready to rock, the F-Back control adjusts the number of repeats from one single echo to infinite raging feedback and the Time knob sets the delay time between 30ms – 620ms. The Mix knob is calibrated to preserve intelligibility (and keep the sound engineer happy), allowing you to sweep from bone-dry to a 50/50 wet/dry blend. In the studio, the Echo Master is a whole other animal. Use it with acoustic instrument and percussion mics to commit wild new sounds to tape (or hard drive). Comes with a Godlyke Power-All 9 VDC power supply with a 2.1mm negative center barrel Controls Time Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. FBACK (Internal) Sets the maximum level of the external feedback. Turn all the way clockwise for maximum feedback (factory setting) or turn to the left to limit the range for more precise control. Send and Receive Have the need to use your Echo Master with the rest of your favorite guitar pedals? The Send and Receive will make easy as your guitar rig! Plug the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals before they enter the Echo Master. Mic Stand Clip Backplate Tired of wrangling all your vocal pedals on the floor or lugging a table to your shows? We have the solution! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Note: Cords, microphone, and stand are not included. Godlyke Power-All 9 VDC power supply still included. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. Note: We strongly recommend using the included power supply or a similar low-noise power supply. Current Draw: 25 mA Physical Details Dimensions: 6.09" x 3.45" x 2.75" (including hardware) Weight (Standard): 16 oz. Weight (Alternate Back Plate): 30 oz. Sound Samples SOLO Dark Super Slap Harmonic Layers Twisted Growls Feedback Resonance Subtle Slap WITH PEDALS Octave Clang V2 Rooms (Peak) Rooms (Wave) Rooms (Gong) +io: + - key: QnF5SMJG + name: Mic Input + signalFlow: input + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: CGiDXgeW + name: Mic Output + signalFlow: output + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: kBlaw64c + name: Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: EID7q8vU + name: Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: T73C0dK9 + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-echo-master.yaml b/data/hardware/death-by-audio-echo-master.yaml new file mode 100644 index 000000000..0d6f9fb5d --- /dev/null +++ b/data/hardware/death-by-audio-echo-master.yaml @@ -0,0 +1,58 @@ +id: NtOwUyIAej2XqaOt5kuip +name: ECHO MASTER +manufacturer: death-by-audio +primaryCategory: delay +categories: + - preamp + - vocal-processor + - pedal +capabilities: + - delay + - feedback-suppression +url: https://deathbyaudio.com/products/echo-master-1 +description: A lo-fi analog tape-style delay unit designed for vocals, featuring + a transformer-balanced mic preamp, XLR jacks, and an effects loop for patching + other pedals into the vocal chain. +details: |- + PSYCHEDELIC VOCAL TRIP Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Details This multitasking analog tape-style echo rules––onstage, it delivers lush vocals shrouded in dusky analog repeats, and it’s invaluable in the studio while recording, reamping, mixing, and more. It’s carefully voiced to avoid shrieking monitor feedback, includes a robust transformer-balanced mic preamp, sturdy Neutrik XLR jacks, and is equipped with an impedance-matching effects loop so you can patch other pedals in your vocal chain. An (optional) mic clip backplate puts the controls within reach during performances so you can tweak the delay effect as you sing, effectively remixing yourself (or your bandmates) live. Best of all, the Echo Master puts total control over your vocal sound at your fingertips, so you get the sound you want, when you want it, all of the time. Since changeovers at shows can happen quickly and there isn’t always time for soundcheck, the Echo Master gets you amplified and rocking with consistent high-quality echo effects in no time at all. Simply plug your microphone into the mic input, connect the sound engineer’s vocal line to the mic output, plug your pedals into the effects loop, and there’s still time to order another drink before you play. When you’re ready to rock, the F-Back control adjusts the number of repeats from one single echo to infinite raging feedback and the Time knob sets the delay time between 30ms – 620ms. The Mix knob is calibrated to preserve intelligibility (and keep the sound engineer happy), allowing you to sweep from bone-dry to a 50/50 wet/dry blend. In the studio, the Echo Master is a whole other animal. Use it with acoustic instrument and percussion mics to commit wild new sounds to tape (or hard drive). 9 VDC power supply (US or EU) included. Controls Time Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. FBACK (Internal) Sets the maximum level of the external feedback. Turn all the way clockwise for maximum feedback (factory setting) or turn to the left to limit the range for more precise control. Send and Receive Want to use your Echo Master with the rest of your favorite guitar pedals? The Send and Receive makes it as easy as your guitar rig! Plug the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals before they enter the Echo Master. Mic Stand Clip Backplate Tired of wrangling all your vocal pedals on the floor or lugging a table to your shows? We have the solution! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Note: Cords, microphone, and stand are not included. 9 VDC power supply included. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. Note: We strongly recommend using the included power supply or a similar low-noise power supply. Current Draw: 25 mA Physical Details Dimensions: 6.09" x 3.45" x 2.75" (including hardware) Weight (Standard): 16 oz. Weight (Alternate Back Plate): 30 oz. Sound Samples SOLO Dark Super Slap Harmonic Layers Twisted Growls Feedback Resonance Subtle Slap WITH PEDALS Octave Clang V2 Rooms (Peak) Rooms (Wave) Rooms (Gong) +io: + - key: pbphAL1N + name: Mic Input + signalFlow: input + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: 1QnaaTT6 + name: Mic Output + signalFlow: output + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: Nf0EPyi0 + name: Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: A9haonSN + name: Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: QaGyM3n2 + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-evil-filter.yaml b/data/hardware/death-by-audio-evil-filter.yaml new file mode 100644 index 000000000..9f8763e1c --- /dev/null +++ b/data/hardware/death-by-audio-evil-filter.yaml @@ -0,0 +1,52 @@ +id: wwuhcHxVfgNHxvGyz0O-7 +name: EVIL FILTER +manufacturer: death-by-audio +primaryCategory: filter +categories: + - fuzz + - wah + - pedal +capabilities: + - filter + - wah + - fuzz + - distortion +url: https://deathbyaudio.com/products/evil-filter +description: A multimode filter pedal with high-pass, band-pass, and low-pass + modes, dual resonance settings, CV/expression control of cutoff, and a + separate built-in fuzz circuit. +details: |- + FOR THE TRULY WILD Psycho multimode filter with an ultra-sleek enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, bandpass, and low pass modes, as well as two types of screaming resonance, the Evil Filter is ready to saw any sound into pieces - or just be the most insane wah you've ever heard. The Evil Filter's two fuzzes take signals into a much more twisted dimension, creating a blooming compression that's perfect for ripping solos and walls of noise alike. Push it past the limit into octaves up, down, and snarling wavefolding sounds. Using the CV/Expression input, you can also control the filter cutoff frequency with an expression pedal or synthesizer. Details What Does a Multimode Filter Pedal Do? The Evil Filter takes your signal and carves it up so that you only hear the frequencies you want to play with. In High-Pass mode, you’ll hear frequencies above where the Filter Freq. control is positioned. In Band-Pass mode, the Evil Filter chops off the high and low frequencies, leaving you with a midrange signal that has a round, vocal-like character, similar to a wah. In Low-Pass mode, only bass frequencies below the Filter Freq. control come through, so you feel the rumble in your soul. The Filter Resonance control adjusts the width and “ringiness” of the filter which sets the overall tonal quality of the pedal from being a subtle tone-shaping utility or a harbinger of sonic devastation. At lower settings, the filter acts on a wide range of frequencies for gentle rolling sweeps and conventional filter sounds. As you bring up the Resonance, the affected frequencies get narrower and narrower until it eventually clamps down on such a tiny range of frequencies that it boosts them into ringing peaks, earth-shaking subharmonic pulses, and screaming self-oscillation. For extra harmonics and oscillation, flip the Resonance toggle switch from Normal to High and freak out! If you have a modular synth, the Evil Filter offers CV/expression input to control the filter cutoff frequency in tempo using a synthesizer or expression pedal. Enter the Evil Fuzz Misery loves company, so the Evil Filter is equipped with an Evil Fuzz to take the signal to a much darker dimension. The Evil Fuzz has its own footswitch so you can use it as a standalone full-on fuzz, or pair it with the Evil Filter to push the medical-grade IC past its limit to develop potent new sonic concoctions to push your sound to the limit. The Evil Fuzz has two fuzz types: one takes you from a rich fuzz that cleans up nicely with your volume control, and the other is an over-the-top fire-breathing scorcher that dishes out disgustingly amazing blasted-out fuzz. Controls EVIL FUZZ Fuzz Type Switch Choose between two different fuzzes - down for a cleaner, more driving fuzz, up for a blasted out, blooming, insane fuzz. Output Volume of the fuzz. FILTER Freq Cutoff frequency of the filter shown in Hz. Selector Selects between the different filter types - Low Pass, Band Pass, and High Pass. Resonance Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels! Resonance Switch Sets the range of the Filter Resonance knob between Normal and High. EXP/CV Input Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input. Output Volume of the filter. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 21 mA Physical Details Dimensions: 7.75" x 4.72" x 2.4" (including hardware) Weight: 25 oz. +io: + - key: iNFGy9n6 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: xLvp8Oh1 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: lqg966hN + name: EXP/CV Input + signalFlow: input + category: audio + type: cv/gate + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: bMqX1gkO + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-exploding-head.yaml b/data/hardware/death-by-audio-exploding-head.yaml new file mode 100644 index 000000000..8941e9e22 --- /dev/null +++ b/data/hardware/death-by-audio-exploding-head.yaml @@ -0,0 +1,10 @@ +id: BIYRF3lPM_R-_yTw5FngO +name: EXPLODING HEAD +manufacturer: death-by-audio +primaryCategory: effect +categories: + - pedal +url: https://deathbyaudio.com/products/exploding-head +description: A limited edition pedal from Death By Audio. +details: |- + Limited Edition to 500 units. diff --git a/data/hardware/death-by-audio-fuzz-war-2.yaml b/data/hardware/death-by-audio-fuzz-war-2.yaml new file mode 100644 index 000000000..70e380dd8 --- /dev/null +++ b/data/hardware/death-by-audio-fuzz-war-2.yaml @@ -0,0 +1,44 @@ +id: sYmBlwPHTgkkKISB1JMt- +name: Fuzz War +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - overdrive + - pedal +capabilities: + - fuzz + - distortion + - overdrive + - boost + - filter +url: https://deathbyaudio.com/products/fuzz-war +description: A fuzz pedal producing distortion, overdrive and boost tones with a + multi-curve Tone control that can also act as a frequency shifter. +details: |- + THE FUZZ OF ALL FUZZES Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. Details If love is a battlefield, then the Fuzz War is your ticket to victorious sustaining fuzz tone. When there’s nothing between you and the audience except an amp, the Fuzz War, and your axe, crank the Fuzz control all the way up and blow 'em away with the raunchiest fuzz tone in modern history. Or dial back the Fuzz for kinder, gentler overdrives and boosts but without volume limits! The Fuzz War’s specially designed active multi-curve Tone control lets you set your sights on creating glorious music by changing the timbre from a deep sludge-bass rumble to screamin’ top-end lead tones that slice through the mix with a whole bunch of useful sounds in-between. Note: When the Fuzz is turned all the way down, the Tone control acts as a frequency shifter – try it for parked-wah and sick filtered effects! And it wouldn’t be a Death By Audio fuzz pedal without enough output to make even the highest headroom amp beg for reinforcements, which is why there’s a handy Volume control to adjust the output level. Each Death By Audio Fuzz War has sick spray-painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator that sounds as good as it looks. Achieve a multitude of ultimate fuzz, boost, overdrive, and distortion sounds with the simple turn of a dial. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard. Controls VOLUME Controls the output volume of the effect. FUZZ Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz. TONE A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 1 mA Physical Details Dimensions: 5.87" x 4.72" x 2.5" (including hardware) Weight: 18 oz. Sound Samples Mustang Classic Fuzz Thick Punk Crushed Riffs Filter-Sweep Fuzz Dark Tones --> VOX Bass Big Bossman Hairy Chug Break-Up Filter-Sweep Fuzz Chunky Riffs --> +io: + - key: G7NeSikc + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: IMffaYv2 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 6n0VMtsg + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-fuzz-war.yaml b/data/hardware/death-by-audio-fuzz-war.yaml new file mode 100644 index 000000000..dd325960e --- /dev/null +++ b/data/hardware/death-by-audio-fuzz-war.yaml @@ -0,0 +1,10 @@ +id: bkEiisOC9hP9Sne-LbYBA +name: FUZZ WAR +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - pedal +url: https://deathbyaudio.com/products/blacked-out-fuzz-war +description: A limited edition blacked-out finish of the classic Fuzz War fuzz pedal. +details: |- + Limited Edition to 100 units // Reverb.com exclusive BLACKED OUT classic. diff --git a/data/hardware/death-by-audio-germanium-filter.yaml b/data/hardware/death-by-audio-germanium-filter.yaml new file mode 100644 index 000000000..61d89faa9 --- /dev/null +++ b/data/hardware/death-by-audio-germanium-filter.yaml @@ -0,0 +1,45 @@ +id: BeEfmoJ5SosOAVoH9jrFi +name: Germanium Filter +manufacturer: death-by-audio +primaryCategory: distortion +categories: + - overdrive + - fuzz + - filter + - pedal +capabilities: + - distortion + - overdrive + - fuzz + - boost + - filter +url: https://deathbyaudio.com/products/germanium-filter +description: A germanium-based drive pedal combining a vintage console-style + drive circuit with a versatile filter, spanning dirty boost to fuzz tones. +details: |- + TRUE VINTAGE DISTORTION. The Germanium Filter is our love letter to sticking a pencil through your speaker. Start with a console-style drive circuit, made from obsolete germanium transistors, and finish it off with a super intense DBA-style filter, and BLAMO! You’ve got a sound heavy enough to crush and sharp enough to slice. The Filter control is extremely versatile - it’ll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Gain control starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be Germaniumized! Controls Filter Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs. Gain Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar’s volume control. Volume (internal) Controls the overall output level of the pedal. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 5" x 2.5" x 2.25" (including hardware) Weight: 10.6 oz. Sound Samples Mustang Guitar Clean Boost Thick N Low Pushed Amp Scoop All Out Blast Jazz Bass Pretty and Pushed Fuzzy Drive Dark Grind Console Overload +io: + - key: 6pW2wbR7 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 91NsPfkX + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: MP2tIjj8 + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-interstellar-overdriver-deluxe.yaml b/data/hardware/death-by-audio-interstellar-overdriver-deluxe.yaml new file mode 100644 index 000000000..7fcc5ced9 --- /dev/null +++ b/data/hardware/death-by-audio-interstellar-overdriver-deluxe.yaml @@ -0,0 +1,51 @@ +id: 5gbQ2QYMsN6qIt-LM2Bnn +name: Interstellar Overdriver Deluxe +manufacturer: death-by-audio +primaryCategory: overdrive +categories: + - fuzz + - tremolo + - pedal +capabilities: + - overdrive + - fuzz + - octave + - tremolo +url: https://deathbyaudio.com/products/xcolorway-interstellar-overdriver-deluxe +description: A dual analog overdrive pedal combining two Interstellar Overdriver + circuits, with additional selectable modes on the second channel including + boost, fuzz, octave fuzz, and tremolo. +details: |- + DOUBLE INTERSTELLAR OVERDRIVER+++ { "@context" : "http://schema.org", "@type" : "Product", "name" : "INTERSTELLAR OVERDRIVER DELUXE", "image" : [ "https://cdn.shopify.com/s/files/1/2261/8655/products/Interstellar_Overdriver_Deluxe_Copper_Face_2048x.jpg?v=1555996119", "https://cdn.shopify.com/s/files/1/2261/8655/products/Interstellar_Overdriver_Deluxe_Copper_Face_400x400.jpg?v=1555996119", "https://cdn.shopify.com/s/files/1/2261/8655/products/IntOverDlxSide_400x400.jpg?v=1555996119", "https://cdn.shopify.com/s/files/1/2261/8655/products/Death-By-Audio-Interstellar-Overdriver-Deluxe-Diagonal_400x400.jpg?v=1555996119" ], "description" : "DOUBLE INTERSTELLAR OVERDRIVER+++ \n\n The Interstellar Overdriver Deluxe consists of two amazing, fully analog, Interstellar Overdriver pedals featuring additional, revamped options! Not only can you create unearthly overdrive sounds by routing the first channel into the second, but there are 5 additional options on the second channel to give you a huge range of overdrive / fuzz tones. A pleasant boost, a squealing lead, a chopped out glitch, a jet rocket lift-off; this is the pedal to blast your sound into the cosmos!", "url" : "https://deathbyaudio.com/products/interstellar-overdriver-deluxe", "brand" : { "@type" : "Brand", "name" : "Death By Audio", "logo" : "https://cdn.shopify.com/s/files/1/2261/8655/files/whiteoutlinetrans_410x.png?v=1515652188" }, "offers" : { "@type" : "Offer", "price" : "320.00" } } END OF LIFE. WE WILL NO LONGER PRODUCE THIS PEDAL SO GET IT WHILE YOU CAN. The Interstellar Overdriver Deluxe consists of two amazing, fully analog, Interstellar Overdriver pedals featuring additional, revamped options! Not only can you create unearthly overdrive and fuzz sounds by routing the first channel into the second, but there are 5 additional options on the second channel to give you a huge range of wild, filtered, modulated, and blasted-out overdrive/fuzz tones. A pleasant boost, a squealing lead, a chopped-out glitch, a jet rocket lift-off; this is the pedal to blast your sound into the cosmos! CONTROLS Master: Controls the volume of the circuit of the corresponding side - left MASTER controls the left side volume and right MASTER controls the right. Drive: Sets the amount of drive for the corresponding circuit. Rotary Selector: NOTE: Channel 1 is activated with the right side footswitch and adjacent controls, always remaining the Interstellar Overdriver circuit. Channel 2 on the left, however, can be altered with the rotary to become something completely new. B oth sets of controls will interact with one another to produce new, insane tones depending on which rotary position is selected - everything from piercing overdrive, to oscillations, and choppy trem. SPECS Dimensions: 5.71" x 4.89" x 2.54" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 2 mA. +specs: |- + - 1: Thin Drive + - 2: Normal Interstellar Overdriver + - 3: Bass Overdriver + - 4: Super Oscillating Fuzz + - 5: Octave Fuzz + - 6: Envelope Controlled Tremolo +io: + - key: tPO0Yoxl + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2P0Pk1hp + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WHB4PWgc + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-interstellar-overdriver.yaml b/data/hardware/death-by-audio-interstellar-overdriver.yaml new file mode 100644 index 000000000..3f6c447b7 --- /dev/null +++ b/data/hardware/death-by-audio-interstellar-overdriver.yaml @@ -0,0 +1,40 @@ +id: kj3eXzCIcPaSmWZ9ovIKV +name: Interstellar Overdriver +manufacturer: death-by-audio +primaryCategory: overdrive +categories: + - boost + - pedal +capabilities: + - overdrive + - boost +url: https://deathbyaudio.com/products/interstellar-overdriver +description: A transparent, discrete-circuit overdrive pedal designed to emulate + the natural sound of a cranked tube amp. +details: |- + SOUNDS LIKE A CRANKED 50s TUBE AMP The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this pedal is all about the natural, wonderful sound of turning an amp up too loud. It's specifically constructed to work the same way as old tube amps - the more you turn it up, the better it sounds. The drive knob sweeps from a slight boost to a beautiful, harmonically rich overdrive. For more control, kick back the output volume with the MASTER knob while retaining the sweetness. There are a lot of pedals out there attempting to do this simple, beautiful thing, but this one is the best. Details There’s a million amp-in-a-box overdrive pedals out there, but the Interstellar Overdriver is the only one from outer space. We scoured the galaxy in search of the best components to complete this amp-like, discrete, and beautifully transparent overdrive circuit that puts your amp on blast with nothin’ but your awesome tone, and lots of it. We went through painstaking measures to succeed where other drive pedals have failed. The circuit is precisely tuned to counteract the harsh, unnatural fizziness that comes with recreating tube overdrive in a stompbox format. Each component is carefully chosen to reproduce the pleasing, organically overdriven sound of vintage speakers pushed to the max. Achieve stadium-sized “rawk” guitar sounds at bedroom levels with the same dynamic crunch and fluid sustain as a fleet of backline amps turned up to the edge of meltdown. Dial in ragged, tweed style breakup and saturation with realistic, spongy tube-like sag and harmonics. Punch up leads and melodies with a clean boost that adds subtle character while preserving your instrument’s natural tone. Sprinkle some extra vibe on a plain-sounding DI track. Controls Overdriver Sets the input gain for anything from a subtle clean boost to full-on power amp destruction. Master Controls the output volume of the effect. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 1 mA Physical Details Dimensions: 4.75" x 4.05" x 2.17" (including hardware) Weight: 12 oz. +io: + - key: 6ydkkGfv + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: TbazMKXw + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 9FSvCPjK + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-micro-dream.yaml b/data/hardware/death-by-audio-micro-dream.yaml new file mode 100644 index 000000000..b72ffd15c --- /dev/null +++ b/data/hardware/death-by-audio-micro-dream.yaml @@ -0,0 +1,41 @@ +id: JcJ-J9fbvJDvcjBjedkLE +name: Micro Dream +manufacturer: death-by-audio +primaryCategory: delay +categories: + - echo + - looper + - pedal +capabilities: + - delay + - looper +url: https://deathbyaudio.com/products/micro-dream +description: A compact lo-fi delay pedal offering slapback to a full second of + decayed, pseudo-looping echo with feedback and gain control. +details: |- + BEAUTIFUL LO-FI DELAY Similar to the thick and gooey sound of the Echo Dream 2, the MICRO DREAM is a streamlined and compact version that still retains the beautiful, decayed delay sound that made the Echo Dream famous. Push the delay past its limits by increasing the delay time to a full second, introducing lofi chirps and noise as the circuit protests. Additionally, a gain stage on the delay line makes the Micro Dream perfect for pseudo looping or just an incredible slapback. Details Playing the fifteen-minute-power-nap to the Echo Dream 2’s full-on Rip Van Winkle, the Micro Dream is a bite-sized echo snack for the modern musician on the go. This tasty lo-fi delay pedal takes the gooey, ectoplasmic sound of the Echo Dream 2 and packs it into a compact enclosure to deliver vivid slapback tones, chewy psychedelic echoes, and up to one full second of kaleidoscopic delay that’ll turn even your wildest echo dreams lucid. At shorter delay times, the Micro Dream dishes out vibrant, bouncy repeats tight enough to use as an always-on double-tracking effect to thicken up single note runs and some light riffage. As you increase the TIME control, the Micro Dream opens up a higher level of consciousness with grainier repeats and a more sinister vibe as the longer times push the delay chip past its limit, introducing stretched, smeared, pseudo-looping delays so psych’d out you’ll be hearing colors and tasting music. The Micro Dream’s F BACK control adjusts the delay repeats from a single repeat right through hazy atmospheric dreaminess all the way to demented self-oscillating feedback. This control covers a wide range of sounds, so we’ve included an INTERNAL F BACK TRIMPOT to adjust exactly where on the potentiometer self-oscillation happens and help you dial in the proper ambience for your musical sojourn to the untapped outer reaches of the unconscious mind. If you’re the kind who forgets your dreams, turn ‘em up! The DELAY knob controls the level of the repeats and is equipped with enough output to make the delay louder than the clean signal for rich, thick echoes that bulk up your sound and stand up in even the busiest mix. Now wake up and start playing! Controls FBack Controls the feedback of the delays, from slapback to wild runaway oscillation. Time Controls the delay time (Numbers shown in milliseconds). Delay Sets the volume of the delayed signal. Internal Trimpot Sets the point at which the Fback knob will cause the delay to oscillate. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 28 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 11 oz. +io: + - key: LKrxTJnw + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uj7XcTZ5 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: WhG3MJDH + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-moonbeam-phaser.yaml b/data/hardware/death-by-audio-moonbeam-phaser.yaml new file mode 100644 index 000000000..dc709c98c --- /dev/null +++ b/data/hardware/death-by-audio-moonbeam-phaser.yaml @@ -0,0 +1,48 @@ +id: uKoK_vbC8Ap1wuV5-nKzk +name: Moonbeam Phaser +manufacturer: death-by-audio +primaryCategory: phaser +categories: + - modulation + - tremolo + - rotary + - ring-modulator + - pedal +capabilities: + - phaser + - tremolo + - filter + - ring-modulation + - frequency-shift + - rotary +url: https://deathbyaudio.com/products/moonbeam-phaser +description: A stereo, fully analog multi-stage phaser pedal offering one to six + stages of phase shifting, from classic swirls to ring-modulated frequency + shifts and rotary-style warbles. +details: |- + A Mesmerizing Array of Phasers The Moonbeam Phaser has landed. A stereo, multi-stage phaser like no other, the Moonbeam Phaser lets you completely reshape your sound by choosing between one and six stages of phase shifting for any modulation occasion. With its expansive range of controls, you can instantly explore everything from classic swirling movements to ultra-gooey bends, resonant filtered tremolos, and textures yet to be discovered. Take a trip through the world of tones from beyond the exosphere. Need some stereo cables? --> Details At its core, the Moonbeam Phaser houses two fully analog 6-stage phase shifter engines. You can tap into each stage individually and hear its unique movement as the display morphs through a spectrum of colors that mirror the sound. To unleash the full potential of this unique circuit, we supercharged the FREQ control far beyond the usual range. Drift slowly through 2-minute phase sweeps, dive into liquid swirls, or blast off into ring-modulated frequency shifts. Combined with the DEPTH control, the Moonbeam Phaser opens a vast spectrum of refracted phasing tones- from shimmering rotary-style warbles to deep, resonant bends. And if one phaser wasn’t enough, we’ve packed two phasers in one, letting you bring your guitar, bass, synth, or anything you can imagine into mesmerizing stereo with the click of a stomp. Part of Death By Audio’s Destroyer Series, the Moonbeam Phaser sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Key Features: Six Phasers In One - Each of the six phase stages has its own unique sound, from classic modulation to wild, otherworldly bends. Fully Analog Phaser - Real analog circuitry delivering extreme, organic modulation in a digital world. Full Stereo Modulation - True stereo operation expands your sound from mono to massive. Ultra-High Headroom - Handles the hottest signals without breaking up or losing depth. Super-Slow Phasing - Over two minutes of evolving, slow-motion phase sweeps. Hyper Speed To Ring Modulation - Crank the FREQ knob for blistering, ring-modulated chaos. Adjustable Depth - Unlike the phasers of yore, we leave the control in your hands so you can dial in anything from subtle shimmer to full-on resonance. Moving Light Indicator - Color-coded display shows the active stage and follows the LFO. Pedalboard-Friendly - A bite-sized package with a massive sound. Tour-Grade Build Quality - Rugged enclosure, quality components, hand-assembled, and built to last. Controls PHASE SELECTOR Selects the number of phaser stages. Ranges from one to six. 1 (RED) A sweeping high pass filter and tremolo. 2 (YELLOW) A sweeping notch filter with resonant peaks on each side. 3 (GREEN) A cross between a phaser and a harmonic tremolo. 4 (CYAN) The most famous, classic phaser sound you know and love. 5 (BLUE) Adds in more intense resonance and treble focus to the 4-phase sound. 6 (PURPLE) A full, bassy, and chewy-sounding phaser sound. FREQ Adjusts the speed of the phaser’s movement. Ranges from ultra-slow 0.006Hz harmonic drifts to lightning-fast 130Hz sweeps. DEPTH Controls the intensity and character of the phaser stages, shaping the depth of the sweep and the resonance of the effect. Internal Control Access this control by removing the backplate of the Moonbeam Phaser. INPUT CONFIGURATION SWITCH Switch between mono TS and stereo TRS input. MONO INPUT - Standard mono or mono-to-stereo operation. Lights up “M” on the faceplate when active. STEREO INPUT: Full stereo operation. Lights up “S” on the faceplate when active. Inputs and Outputs The Moonbeam Phaser features TRS stereo input and output for mono or stereo operation. Mono Use a TS cable for both INPUT and OUTPUT. Mono to Stereo Use a TS cable for INPUT and a TRS cable for OUTPUT. Note: Set internal switch to Mono Input. Stereo Use a TRS cable for both INPUT and OUTPUT. Note: Set internal switch to Stereo Input. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. We recommend Death By Audio’s RAW POWER power supply for optimal performance. Current Draw: 72 mA Physical Details Dimensions: 5.16" x 2.76" x 2.38" (including hardware) Weight: 10.3 oz. Sound Samples Guitar Warbly Stereo Blues Ramping Doom (with Fuzz War) Ramping Riff (with Germanium Filter) Stereo Ring Mod Stereo Leslie Stereo Bassy Modulation Synth Nasty Tremolo Warm Wobbles Bubbling Modulation Undulating Lead Formant Arpeggio Big Rotary Pad Bass Crazy Tremolo (with Bass War) Funky Riff Slow Ramp (with Bass War) Destroyer Series Trio ( Thee Treble Overload , Moonbeam Phaser , and Dream Station ) Psych Country Punk Riff Digital Manual +io: + - key: 5I4FLzFw + name: Input L + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2WxgTlgU + name: Output R + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 8QpfTQRj + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-octave-clang-mkii.yaml b/data/hardware/death-by-audio-octave-clang-mkii.yaml new file mode 100644 index 000000000..194fffd40 --- /dev/null +++ b/data/hardware/death-by-audio-octave-clang-mkii.yaml @@ -0,0 +1,44 @@ +id: aQa1DWbEtP_d--hY4M3DP +name: Octave Clang MKII +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - octave + - distortion + - pedal +capabilities: + - fuzz + - octave + - distortion + - equalization +url: https://deathbyaudio.com/products/octave-clang +description: An octave-up fuzz pedal with a switchable octave transformer, + pre-gain tilt EQ tone control, and internal bias adjustment for distinct + clang-like distortion tones. +details: |- + CLANG THE WAY IT'S MEANT TO BE The highly coveted Octave Clang has made a triumphant return to Death By Audio's workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation—evolving, refining, and enhancing its already extraordinary sound. Embraced by professionals and punks alike, the Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. Today, we’ve extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging. Details In the decade since it disappeared, we revisited the original Clang circuit, sculpting it into something better —a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians. The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy! The Octave Clang’s special octave transformer works to deliver a unique blend of octave-up fuzz and “clangorous” tones. From deep, resonant lows to searing, high-octane leads, this pedal covers the entire sonic spectrum with an array of ear-pleasing options in between. For those who like to tweak, the Octave Clang offers a bias knob on the inside, giving you the power to fine-tune the pedal's response for even more tonal possibilities. This internal bias control allows you to adjust the op-amp's behavior, making your fuzz and octave smooth or hard. Achieve an array of ultimate fuzz, octave, and clang sounds with the simple twist of a knob. Try it out and you’ll see – this is the most mind-blowing octave fuzz pedal we’ve ever heard. Controls Bypass (Left Footswitch) Turns the Octave Clang on and off (red LED) Octave (Right Footswitch) Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged. Volume Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive. Gain Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain. Tone A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound. Bias (Internal) Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound. Access by removing the back plate of the Octave Clang. Specifications Power Details Power Supply: Powered by a standard 2.1mm 9V DC adapter with center-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. Do NOT leave the battery snap floating inside the pedal when not using a battery. Current Draw: 10 mA Physical Details Dimensions: 4.8” x 3.7” x 2.1” (including hardware) Weight: 11.5 oz. Digital Manual +io: + - key: GTaEO9la + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 3BnfY8Sc + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: E1LE2CDM + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-octave-clang-v2.yaml b/data/hardware/death-by-audio-octave-clang-v2.yaml new file mode 100644 index 000000000..92b93ecea --- /dev/null +++ b/data/hardware/death-by-audio-octave-clang-v2.yaml @@ -0,0 +1,44 @@ +id: j1ao61PO82cV_vLShIOPR +name: Octave Clang V2 +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - octave + - distortion + - pedal +capabilities: + - fuzz + - octave + - distortion + - equalization +url: https://deathbyaudio.com/products/xcolorway-octave-clang-v2 +description: An octave fuzz pedal with a special octave transformer producing + clangorous octave-up fuzz and distortion, featuring footswitchable octave, + tone, gain, and an internal bias control. +details: |- + CLANG THE WAY IT'S MEANT TO BE The highly coveted Octave Clang has made a triumphant return to Death By Audio's workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation—evolving, refining, and enhancing its already extraordinary sound. Embraced by professionals and punks alike, the Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. Today, we’ve extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging. Details In the decade since it disappeared, we revisited the original Clang circuit, sculpting it into something better —a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians. The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy! The Octave Clang’s special octave transformer works to deliver a unique blend of octave-up fuzz and “clangorous” tones. From deep, resonant lows to searing, high-octane leads, this pedal covers the entire sonic spectrum with an array of ear-pleasing options in between. For those who like to tweak, the Octave Clang offers a bias knob on the inside, giving you the power to fine-tune the pedal's response for even more tonal possibilities. This internal bias control allows you to adjust the op-amp's behavior, making your fuzz and octave smooth or hard. Achieve an array of ultimate fuzz, octave, and clang sounds with the simple twist of a knob. Try it out and you’ll see – this is the most mind-blowing octave fuzz pedal we’ve ever heard. Controls Bypass (Left Footswitch) Turns the Octave Clang on and off (red LED) Octave (Right Footswitch) Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged. Volume Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive. Gain Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain. Tone A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound. Bias (Internal) Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound. Access by removing the back plate of the Octave Clang. Specifications Power Details Power Supply: Powered by a standard 2.1mm 9V DC adapter with center-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. Do NOT leave the battery snap floating inside the pedal when not using a battery. Current Draw: 10 mA Physical Details Dimensions: 4.8” x 3.7” x 2.1” (including hardware) Weight: 11.5 oz. +io: + - key: q57aGAow + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: PBr8Xyy0 + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: v6yYAVaN + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-phosphene-scream.yaml b/data/hardware/death-by-audio-phosphene-scream.yaml new file mode 100644 index 000000000..b9abfdfc3 --- /dev/null +++ b/data/hardware/death-by-audio-phosphene-scream.yaml @@ -0,0 +1,41 @@ +id: 1WpTfqX-4QSJ9IQSMVQLm +name: Phosphene Scream +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - delay + - echo + - pedal +capabilities: + - reverb + - delay +url: https://deathbyaudio.com/products/levitation-x-dba-phosphene-scream +description: A limited edition pedal combining versatile echo and reverb effects + into a liquid, psychedelic ambient sound. +details: |- + STAY TUNED FOR MORE LIMITED EDITION PEDALS! IN COLLABORATION WITH LEVITATION FESTIVAL . . . The PHOSPHENE SCREAM is a super psychedelic time trip machine for traveling through the 5th dimension. It combines an extremely versatile echo and a vast universe of reverb effects in a unique way to create a liquid space chamber of pure ecstasy. You feel reverberations. You feel echos. You lose your mind. CONTROLS Reverb: Fully counter-clockwise, the reverb is blended out. While turning up the knob it ranges from realistic hails to full on infinity caves. Feedback: Controls the number of repeats and intensity of the echo. Turn all the way up for almost endless repeats. Turn down for no echo at all. D-Time: Changes the time in between the repeats of the echo. Turn all the way down for metallic filter sounds. Space Toggle Switch: Left is deep thunderous bass. The middle position is full range. The right position is high frequency scream. NOTE: A small trimmer located on the inside of the pedal adjusts the output volume of the entire effect. SPECS Dimensions: 4.88" x 3.68" x 2.15" (including hardware) Weight: 13 oz. Power: 9V (runs on a standard 2.1 mm negative center 9V adapter or included 9V battery). Current Draw: 80 mA. +io: + - key: GCeQFJui + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: shfV4bys + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 3uQFaUpk + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-reverberation-machine.yaml b/data/hardware/death-by-audio-reverberation-machine.yaml new file mode 100644 index 000000000..023220b96 --- /dev/null +++ b/data/hardware/death-by-audio-reverberation-machine.yaml @@ -0,0 +1,41 @@ +id: 9BembXm55DuhX191UHItR +name: Reverberation Machine +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - spring + - distortion + - pedal +capabilities: + - reverb + - distortion +url: https://deathbyaudio.com/products/reverberation-machine +description: A synthetic atmosphere generator simulating spring reverb units, + capable of blooming into a distorted, saturated wall-of-sound reverb. +details: |- + BLISTERING REVERB The original synthetic atmosphere creator. The Reverberation Machine offers up drippy, saturated spring reverbs and cavernous expanses in one small package. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer for the ultimate wall of sound. An instant classic for a reason, the Reverberation Machine's unique and experimental sounds are equally at home twisting your sound into a galactic nebula or adding a sinister and yearning beauty to anything you plug in. Details The Reverberation Machine has one job, and that's to make you sound incredible. This synthetic atmosphere generator simulates amp-top spring units, or at higher levels, creates a blooming distorted reverb so thick and heavy you could carve a statue from it. Maybe you've noticed the Reverberation Machine doesn't have regular reverb pedal controls. That's because it isn't a regular reverb pedal. Unless you want it to be. You're operating this machine. In true Death By Audio fashion, the VERB control goes all the way to 125% wet for trippy psyched-out reverbs that are louder than the input! This thing gets intense! Controls VOL Controls the output volume of the effect. Altitude Control This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb Blends in the amount of reverb. Dark/Light Toggle Dark cavernous reverberation to bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 66 mA Physical Details Dimensions: 4.86" x 3.67" x 2.06" (including hardware) Weight: 14 oz. Sound Samples Hofner Galaxie Guitar Maxxed Out Bright Crash Bright Spring Dark Fuzz Dark Tones Fender Jazz Bass Grindy Blown Out A Little Gain, A Little Verb A Little More Gain Dark N Fuzzed Out +io: + - key: exhF0KOL + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ART6wHxs + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ViiADHib + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-robot.yaml b/data/hardware/death-by-audio-robot.yaml new file mode 100644 index 000000000..53fb29fe8 --- /dev/null +++ b/data/hardware/death-by-audio-robot.yaml @@ -0,0 +1,48 @@ +id: 8KMSKu5JbNUi0wYeWnxrY +name: ROBOT +manufacturer: death-by-audio +primaryCategory: pitch-shifter +categories: + - bit-crusher + - ring-modulator + - octave + - arpeggiator + - pedal + - lo-fi +capabilities: + - pitch-shift + - octave + - bit-crush + - ring-modulation + - sequencing +url: https://deathbyaudio.com/products/robot +description: A low-fidelity 8-bit pitch transposer pedal that applies + bit-crushed octave, ring modulation, and arpeggiation effects to any input + signal. +details: |- + 8-BIT PITCH / RING / LOFI / GRANUALIZER The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi fuzz, octave up, octave down, and arpeggiation. All modes are controlled by the Control Knob, which sets the frequency the chip operates at, changing and warping the pitch shifting and aliasing effects. Details This cranky computer uses a voice transformation IC from 80s kids toys to calculate crazy pitch shifting, bit-crushing distortion, tunable octaves up and down, and ring modulation. There's also an insane arpeggiator for primitive digital sound mangling that sounds like a squad of sentient automatons from the future-past marched across the uncanny valley, through the singularity, into your music room, and started playing lead in your band. Controls Control Knob Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator. Volume Controls the output volume of the effect Rotary Selector Normal: Same pitch with 8-bit digital conversion when the Control Knob is fully clockwise. Turning the Control Knob down bends the pitch lower. Octave Down: The Control Knob turned fully clockwise yields a nasty octave down sound. Turning the Control Knob down bends the pitch further downwards. Octave Up: The Control Knob turned fully clockwise yields a nasty octave up sound. turning the Control Knob down bends the pitch lower. Arpeggiator: The pitch arpeggiates in a sequence. The Control Knob adjusts the speed of the arpeggiator. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel NOTE: Older versions of the Robot require a 9v battery or dedicated power supply (daisy chains do not work) Current Draw: 23 mA Physical Details Dimensions: 5.87" x 4.72" x 2.62" (including hardware) Weight: 19 oz. +io: + - key: yJFDfwPR + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: s9Mxw03m + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: d3aB6VFa + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-rooms.yaml b/data/hardware/death-by-audio-rooms.yaml new file mode 100644 index 000000000..3213818d3 --- /dev/null +++ b/data/hardware/death-by-audio-rooms.yaml @@ -0,0 +1,57 @@ +id: q9t477RW-lg5_nEkHQ4Qc +name: ROOMS +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - delay + - filter + - vibrato + - ring-modulator + - pedal + - stereo +capabilities: + - reverb + - delay + - filter + - gating + - vibrato + - ring-modulation +url: https://deathbyaudio.com/products/rooms +description: A stereo multi-function digital reverb pedal offering six reverb + algorithms ranging from classic rooms to gated, filtered, and modulated reverb + effects. +details: |- + SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. Over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. Algorithms 1 - ROOM A classic reverb that simulates many different rooms. FREQ: Tone of Decay DEPTH: Pre-Delay of Right Side 2 - DIGIT A delay and verb capable of creating otherworldly resonances and fractured repeats. FREQ: Delay Time DEPTH: Delay Feedback 3 - PEAK A super intense bandpass filter combined with an ambient reverb. FREQ: Filter Frequency DEPTH: Filter Resonance 4 - GATE A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. FREQ: Decay Tone DEPTH: Gate Response Time 5 - WAVE Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. FREQ: Modulation Speed DEPTH: Modulation Depth 6 - GONG Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination. FREQ: Modulator Frequency DEPTH: Blends from Aliasing (left) to Ring Modulation (right) NOTE: Will sound most mellow when DEPTH is near the center. Controls Reverb Controls FREQ Controls the frequency parameter of the current mode. DEPTH Controls the depth parameter of the current mode. TIME Controls the reverb time in all modes. ALT Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. The F and T settings can be controlled with an expression pedal as described below. Mixer Controls DRY Controls the volume of the dry signal, from -inf to +20 dB. FX Controls the volume of the reverb signal, from -inf to +20 dB. Expression Control/CV In Use any TRS expression pedal or 0-3.3 V control voltage to take control of the Time or Frequency setting while the pedal is in ALT mode. Using the "F ↔ T" Slider on the right side of the pedal, you can select the expression to control either the frequency or time control The small ALT control for the F or T control will now set the minimum value of the control. Set the corresponding knob all the way down for the full range of the knob to be controlled by the expression pedal. NOTE: The expression input is only active in ALT mode and will be deactivated when the ALT mode is off. Specifications Electrical Specs Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 80 mA Expression Voltage: 0-3.3 V Physical Specs Dimensions: 5.95" x 3.86" x 2.96" (including hardware) Weight: 13 oz. +io: + - key: 7nacHYMt + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: FPLNIKtT + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wSaBiFdo + name: Expression/CV Input + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: C2cbNZGB + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-soundwave-breakdown.yaml b/data/hardware/death-by-audio-soundwave-breakdown.yaml new file mode 100644 index 000000000..1bd37b095 --- /dev/null +++ b/data/hardware/death-by-audio-soundwave-breakdown.yaml @@ -0,0 +1,41 @@ +id: qQjGsUTeROkstbaW0Yx1n +name: Soundwave Breakdown +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - octave + - pedal +capabilities: + - fuzz + - octave +url: https://deathbyaudio.com/products/xcolorway-soundwave-breakdown +description: A fuzz pedal using backwards-wired matched transistors to produce + fuzz, buzz, grind, octave, and oscillation sounds controlled by Square Wave + and Sine Wave knobs. +details: |- + MYSTERY FUZZ OCTO GENERATOR The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound. The exact positions of the knobs yield completely different sounds, ranging from fuzz, buzz, and grind, to bleeps, synth sounds, etc. A vast universe of gnarliness is yours, with octaves, oscillations, and overtones waiting just behind your next solo. Be forewarned, it's only grizzled psycho fuzz all the time. Controls Square Wave (You don't want to know) Sine Wave (You don't need to know) Volume Knob Controls the output volume of the effect (You know this one) Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 1 mA Physical Details Dimensions: 4.86" x 3.67" x 2.06" (including hardware) Weight: 13 oz. +io: + - key: cDCdxjyJ + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: vE6Z2MpU + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: NibSKNPr + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-space-bender.yaml b/data/hardware/death-by-audio-space-bender.yaml new file mode 100644 index 000000000..ab13c6637 --- /dev/null +++ b/data/hardware/death-by-audio-space-bender.yaml @@ -0,0 +1,42 @@ +id: F_oLdzjCzC0K4IDbQ8fRC +name: SPACE BENDER +manufacturer: death-by-audio +primaryCategory: chorus +categories: + - flanger + - delay + - pedal +capabilities: + - chorus + - flanger +url: https://deathbyaudio.com/products/space-bender +description: A chorus and flanger pedal built from modulated delay lines that + can create subtle vintage chorus tones up to intense, oscillating sonic + textures. +details: |- + LFO in the UFO The SPACE BENDER chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time. Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! Details The SPEED and DEPTH knobs act as the main controls over the delay time and feedback, while simultaneously setting the modulation parameters of the delays. These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger. Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the SPACE BENDER serve as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes. See you on the other side! Controls Speed Controls the speed of the LFO, sensitivity of the envelope, and time of the delay(s). At shorter times, expect flange and chorus sounds with slower modulation, while long times will stretch into wiggling, modulated delay. Depth Controls the depth of the envelope or the LFO, as well as the feedback of the delay(s). This allows for a range of short and subtle effects to longer, stretching waves of sound. Delay Time Sets the overall delay time range, from very short (x1) to medium-long (x10). Also inverts the polarity of the envelope. Modulator Sets the main source of modulation for the delay line - either a sine wave oscillator in LFO mode or an envelope in ENV mode. The SPEED and DEPTH knobs control the settings of the LFO and envelope. Intensity Sets the overall intensity of the effects. High-intensity settings can create oscillations, feedback, and crazy noises. DEATH BY AUDIO is not responsible for what your audience will think of you, unless they love it, in which case we are. Gain (internal) Controls the output level of the pedal, ranging from unity to way too loud. Unscrew the backplate to access this control. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 65 mA Physical Details Dimensions: 5" x 2.63” x 2.45" (including hardware) Weight: 9.3 oz. Sound Samples Mustang Envelope Flange Delay Super Resonant Flanger Comb Filter Super Chorus/Delay Ultra Mod Delay Crisp Digital Chorus/Delay Trippy Modulated Delay Envelope Flange Delay Jazz Bass Metallic Bass Flange Soundscape Delay Mod Bending Envelope Delay Chorus Pad Resonant Comb Dark Mod Delay +io: + - key: ZVqUu0Gw + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: VsyUit5z + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: unHzZPZs + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-space-ensemble-se-1.yaml b/data/hardware/death-by-audio-space-ensemble-se-1.yaml new file mode 100644 index 000000000..7149592cc --- /dev/null +++ b/data/hardware/death-by-audio-space-ensemble-se-1.yaml @@ -0,0 +1,59 @@ +id: u_vy0vW5RmPYCljmaOvez +name: Space Ensemble SE-1 +manufacturer: death-by-audio +primaryCategory: vocal-processor +categories: + - chorus + - reverb + - preamp + - pedal +capabilities: + - chorus + - reverb +url: https://deathbyaudio.com/products/xcolorway-space-ensemble +description: A vocal effects pedal with a built-in mic preamp offering chorus + and reverb effects, plus a send/receive effects loop for integrating other + pedals. +details: |- + From the farthest corners of the cosmos comes the Space Ensemble SE-1, a groundbreaking vocal effect by Death By Audio. This pedal is a limited run so catch it before it seeps into the black hole forever. In a compact design, the SE-1 captures the realm of atmospheric vocal processing. Equipped with a robust mic preamp and versatile chorus and reverb effects, it offers instant access to both classic retro tones and futuristic spatial textures. Details Use the simple and powerful controls to take your voice to new sonic dimensions. Utilizing the Chorus control, you can vary from slow, wide modulations to rapid detuning bends. The Reverb knob blends in a short reverb before stretching to an almost infinite organic dreamscape. The SE-1’s 100% Dry/Wet mix control makes it perfect for both impressive stage performances and valuable studio applications. And the Send and Receive jacks allow you to integrate any other guitar pedals to sculpt your distinctive sound. Attain your desired studio results and carry them effortlessly to gigs and recordings; spanning from vintage 70s tape doubling to the iconic 80s sound, ethereal shoegaze soundscapes, or entirely new creative frontiers. Comes with a Godlyke Power-All 9 VDC power supply with a 2.1mm negative center barrel Controls Chorus Speed Blends from no effect, to slow chorus, to fast warbles as the knob is turned up. Reverb Time Blends from dry unaffected vocals, to small ambiance, to huge lush atmospheric effects as the knob is turned up. Mix Goes from 100% dry vocals to 100% affected vocals and everything in between. Chorus Intensity (Internal) Adjusts the depth and feedback of the chorus circuit simultaneously. Ranges from subtle chorus effects at 1 to full-on inhuman weirdness at 10. Gain (Internal) Sets the gain of the microphone input. 7 or higher is ideal for most microphones and we recommend setting it high for best noise performance. Jacks Output Connect this to a mixer. It gives a good strong signal due to the internal mic preamp. Microphone Plug a dynamic microphone in here. Note that it does not pass phantom power to microphones without an external phantom power source. Send/Pre Out Plug out of the Send jack into any additional effects, then back into the Receive jack to introduce new sounds into your vocals. This loop is before the effects, allowing you to affect your dry vocals before the chorus/reverb generated by the Space Ensemble. NOTE: Can be used as a mic preamp by connecting an XLR mic into the Microphone jack and using a 1/4" cable to connect to an amp or whatever you want. Receive/Aux Input The return of the effects loop when used in conjunction with the Send/Pre Out . Can also be used to plug a 1/4" source directly into theSpace Ensemble. Mic Stand Clip Backplate Tired of wrangling all your vocal pedals on the floor or lugging a table to your shows? We have the solution! The Space Ensemble can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Note: Cords, microphone, and stand are not included. From the farthest corners of the cosmos comes the Space Ensemble SE-1, a groundbreaking vocal effect by Death By Audio. This pedal is a limited run so catch it before it seeps into the black hole forever. In a compact design, the SE-1 captures the realm of atmospheric vocal processing. Equipped with a robust mic preamp and versatile chorus and reverb effects, it offers instant access to both classic retro tones and futuristic spatial textures. Details Use the simple and powerful controls to take your voice to new sonic dimensions. Utilizing the Chorus control, you can vary from slow, wide modulations to rapid detuning bends. The Reverb knob blends in a short reverb before stretching to an almost infinite organic dreamscape. The SE-1’s 100% Dry/Wet mix control makes it perfect for both impressive stage performances and valuable studio applications. And the Send and Receive jacks allow you to integrate any other guitar pedals to sculpt your distinctive sound. Attain your desired studio results and carry them effortlessly to gigs and recordings; spanning from vintage 70s tape doubling to the iconic 80s sound, ethereal shoegaze soundscapes, or entirely new creative frontiers. Comes with a Godlyke Power-All 9 VDC power supply with a 2.1mm negative center barrel Controls Chorus Speed Blends from no effect, to slow chorus, to fast warbles as the knob is turned up. Reverb Time Blends from dry unaffected vocals, to small ambiance, to huge lush atmospheric effects as the knob is turned up. Mix Goes from 100% dry vocals to 100% affected vocals and everything in between. Chorus Intensity (Internal) Adjusts the depth and feedback of the chorus circuit simultaneously. Ranges from subtle chorus effects at 1 to full-on inhuman weirdness at 10. Gain (Internal) Sets the gain of the microphone input. 7 or higher is ideal for most microphones and we recommend setting it high for best noise performance. Jacks Output Connect this to a mixer. It gives a good strong signal due to the internal mic preamp. Microphone Plug a dynamic microphone in here. Note that it does not pass phantom power to microphones without an external phantom power source. Send/Pre Out Plug out of the Send jack into any additional effects, then back into the Receive jack to introduce new sounds into your vocals. This loop is before the effects, allowing you to affect your dry vocals before the chorus/reverb generated by the Space Ensemble. NOTE: Can be used as a mic preamp by connecting an XLR mic into the Microphone jack and using a 1/4" cable to connect to an amp or whatever you want. Receive/Aux Input The return of the effects loop when used in conjunction with the Send/Pre Out . Can also be used to plug a 1/4" source directly into theSpace Ensemble. Mic Stand Clip Backplate Tired of wrangling all your vocal pedals on the floor or lugging a table to your shows? We have the solution! The Space Ensemble can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Note: Cords, microphone, and stand are not included. Godlyke Power-All 9 VDC power supply still included. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. Note: We strongly recommend using the included power supply or a similar low-noise power supply. Current Draw: 60 mA Physical Details Dimensions: 6.09" x 3.45" x 2.75" (including hardware) Weight (Standard): 15.5 oz. Weight (Alternate Back Plate): 30 oz. +io: + - key: zQfmmMpS + name: Microphone + signalFlow: input + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: swaBLXnt + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: oSuRH8q5 + name: Send/Pre Out + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 2DG6wXSE + name: Receive/Aux Input + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 1wTrVArX + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-supersonic-fuzz-gun.yaml b/data/hardware/death-by-audio-supersonic-fuzz-gun.yaml new file mode 100644 index 000000000..06845400a --- /dev/null +++ b/data/hardware/death-by-audio-supersonic-fuzz-gun.yaml @@ -0,0 +1,43 @@ +id: KtxeJCKGXti0JslMTa58u +name: SUPERSONIC FUZZ GUN +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - gate + - pedal +capabilities: + - fuzz + - distortion + - gating +url: https://deathbyaudio.com/products/supersonic-fuzz-gun +description: A fuzz pedal with interacting controls that produce a wide range of + gated and oscillating fuzz tones, from straightforward distortion to extreme + noise. +details: |- + A TRUE FREAK OF A PEDAL The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with the extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively) straightforward distorted guitar to shards of total insanity. This pedal is well at home making its own howls, chirps, growls, and sputters - harness the unruliest electric destroyer we make with the Supersonic Fuzz Gun. Controls Bias Biases the output transistor to change the overall sound structure. Density Increases the Q range input into the fuzz while also adjusting the oscillation frequency in Osc. mode. Fuzz Increases the intensity of the output. Filter Sweeps the high frequencies of the output. Level Controls the output volume of the effect. Gate/Osc. Toggle In Gate mode, the fuzz tone is more standard and gated. In Oscillation mode, the signal self-oscillates for noisemaking and bizarre fuzz tones. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 2 mA Physical Details Dimensions: 4.72" x 3.84" x 2.06" (including hardware) Weight: 13 oz. +io: + - key: 8U2KEfV0 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: QrKyQE9o + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: R3BdAxSm + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-thee-treble-overload.yaml b/data/hardware/death-by-audio-thee-treble-overload.yaml new file mode 100644 index 000000000..3b16c3dac --- /dev/null +++ b/data/hardware/death-by-audio-thee-treble-overload.yaml @@ -0,0 +1,43 @@ +id: WxuQyBaC09j81MYf_jZkm +name: Thee Treble Overload +manufacturer: death-by-audio +primaryCategory: boost +categories: + - equalizer + - limiter + - pedal + - stereo +capabilities: + - boost + - limiting +url: https://deathbyaudio.com/products/thee-treble-overload +description: A dual-mono treble boost pedal reviving the treble boost circuit + from Thee Fuzz War Overload, offering high-gain boost with a limiter and + stereo TRS operation. +details: |- + Legendary piercing tone, reimagined Thee Treble Overload revives the coveted treble boost circuit from the infamous limited-edition pedal, Thee Fuzz Warr Overload - this time packed with extra features and unleashed as its own weapon. It slices through any mix with razor-sharp precision, adding just the right edge to make your signal sound mean, bright, and alive. To achieve that bite, Thee Treble Overload carves away bass, tightening your tone and bringing definition to whatever sound you feed it. Need some stereo cables? --> Details Armed with nearly 60dB of gain and a LIMIT control, you can push it from a cutting boost to crispy obliteration while still keeping your output balanced with the rest of the band. Thee Treble Overload is dual mono, meaning it can process stereo chains, perfect for blasting your stereo reverbs, choruses, delays, keyboards, or drum machines straight into overdrive. Pair it with a Death By Audio Fuzz War to resurrect that revered Thee Fuzz War Overload sound without needing to hunt one down or drop collector dollars. Part of Death By Audio’s Destroyer Series, Thee Treble Overload sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Key Features: Legendary Sound of Thee Fuzz Warr Overload - The hyper-unique DBA treble booster is back from the dead and here to stay. Cut Like A Knife - Slice through the noise with a clear, piercing sound. Place before your overdrives and fuzzes to totally transform their distortion or place it after to totally annihilate your speaker. Big Character at Any Volume - Balance the BOOST and LIMIT for just the right amount of driven, boosted destruction at any volume you need. Now in Stereo - Add shine and punch after spatial effects, fully compatible with our whole collection of stereo TRS pedals in the Destroyer Series. Pedalboard-Friendly - A bite-sized package with a massive sound. Tour-Grade Build Quality - Rugged enclosure, quality components, hand-assembled, and built to last. Controls BOOST Adjusts the gain of the boost. Ranges from a sharp +17dB to an extreme +52dB blast - enough to hit distortion territory and deliver that signature gnarly edge. LIMIT Sets the maximum output volume. Crank the BOOST and turn the LIMIT down for a controlled output level with high distortion. Inputs and Outputs Features TRS INPUTS and OUTPUTS for mono or stereo operation. Use a standard TS cable for mono or a TRS cable for fully independent stereo. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. We recommend Death By Audio’s RAW POWER power supply for optimal performance. Current Draw: 23 mA Physical Details Dimensions: 5.16” x 2.76” x 2.38” (including hardware). Weight: 9.1 oz. Sound Samples Guitar Classic Treble Treble Overload Fingerstyle Reverb (With Rooms) Crackle Fuzz (With Fuzz War) Sparkle Phaser (With Moonbeam Phaser) Bass Metal Distortion Punk Riff Garage Fuzz Destroyer Series Trio ( Thee Treble Overload , Moonbeam Phaser , and Dream Station ) Psych Country Punk Riff Digital Manual +io: + - key: 4Nfj03gK + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: C8rNzsxh + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: yXsNwp0V + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-time-shadows-ii.yaml b/data/hardware/death-by-audio-time-shadows-ii.yaml new file mode 100644 index 000000000..123b5e655 --- /dev/null +++ b/data/hardware/death-by-audio-time-shadows-ii.yaml @@ -0,0 +1,43 @@ +id: qGDyz7RmqZmsGW3ZP4R0e +name: TIME SHADOWS II +manufacturer: death-by-audio +primaryCategory: delay +categories: + - pitch-shifter + - octave + - pedal +capabilities: + - delay + - pitch-shift + - octave +url: https://deathbyaudio.com/products/time-shadows-ii-cyberpunk-edition +description: A space-time warping delay pedal with sub-octave echoes, + multi-delay washes, and pitch-shifted repeats, offered in a black-and-white + colorway. +details: |- + Same functions at the standard edition but with a punk aesthetic. Black and white colorway designed by Oliver Ackermann. Limited Edition to 500 units. Exclusive to Reverb. Only available to DBA employees and friends. +io: + - key: JarUEXxX + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 9Tsh0kqH + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ggeLVrv5 + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-time-shadows.yaml b/data/hardware/death-by-audio-time-shadows.yaml new file mode 100644 index 000000000..cc39276f4 --- /dev/null +++ b/data/hardware/death-by-audio-time-shadows.yaml @@ -0,0 +1,54 @@ +id: 2R4lGYbzSkfIxkiIUMEMh +name: TIME SHADOWS II +manufacturer: death-by-audio +primaryCategory: delay +categories: + - pitch-shifter + - filter + - distortion + - pedal +capabilities: + - delay + - pitch-shift + - octave + - filter + - distortion +url: https://deathbyaudio.com/products/time-shadows +description: A three-mode delay pedal combining pitch-shifted fuzz delay, + multi-delay filtering, and envelope-controlled filtering, with presets and + expression control. +details: |- + It's About Time. Get it here! This three-mode, space-time warping delay is like nothing you've heard before. From sub-octave echoes, multi-delay washes, and mind-bending pitch-shifted repeats, the TIME SHADOWS II offers a universe of ambient and explosive sounds ready at your fingertips, all with customizable presets, expression control, and many new features and upgrades to bring the TIME SHADOWS into the next frontier. Details Back once again, the Time Shadows II is here to bring you to new sonic frontiers, now with preset settings, Expression Control, and a formerly-secret third algorithm with even more extreme delay-bending sounds. Hear again the iconic pitch-shifted extreme delay sounds from the minds of our very own Oliver Ackermann and EarthQuaker Devices' Jamie Stillman and make your journey through the shadows of time. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells. In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings! With these three unearthly delights, you should have everything you need to break brains and destroy monotony! Designed by our own leader Oliver Ackermann, the Cyberpunk edition brings the same sound in a rugged, white-on-black package with a far-future sci-fi style. Limited to 500 units! Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio. Controls MODE SWITCH Selects which sound setting you'll be using: EQD, DBA, or the secret "!¡" setting. Each will affect how the rest of the controls behave. TIME Controls the Delay Time. SPAN Controls the intensity of repletion. FILTER Arguably the most fun control on Time Shadows! On the EQD side this controls an envelope for the filter frequency and a gate for the cutoff to the input of the delay. On the DBA side this controls the filter Frequency as well as the shift point of a precisely phased delay line for pole zero interpolation. In the magic middle position, this controls the mix. SAVE/RECALL SWITCH Time Shadows has two operating modes which are indicated by the color of the Save/Recall switch. GREEN: Live Mode The pedal will operate exactly where the controls are set, and any changes will have no effect on the presets unless saved. The Save/Recall switch will stay static green. RED: Preset Mode Time Shadows will operate in a stored preset mode which is selected by the preset switch and the physical settings of the control will be ignored. The Save/Recall switch will stay static red. Time Shadows comes factory set to start up in Live Mode. Presets Time Shadows has six available preset slots for you to save and recall your favorite settings. The settings for each of the three controls, the mode switch and the expression jack assignment can be saved and recalled in any of the slots. Saving a Preset Turn the Preset rotary switch to the desired location you wish to save your preset. Dial in the settings you want to save. Remember; Expression pedal assignment and Modes can also be saved! Hold the Save/Recall switch down until the LED flashes between green and red and then release. Your preset is now saved! Recall a preset Select the desired preset you wish to use with the Preset selector switch, and do one of the two following actions: When the pedal is activated and the effect is in use, hold down the foot switch for at least 0.75 seconds, and it will switch from Live Mode to Preset Mode. You can switch between Live and Preset mode on the fly! Tap the lighted Save/Recall switch. The switch will turn from green to red, indicating you are now in preset mode. Tap again and the switch will turn from red to green indicating you are in live mode. Edit/Overwrite a preset Once in Preset Mode (the lighted Save/Recall switch will be red), make the desired changes to any of the controls in the selected preset. The Save/Recall switch will begin to flash red; indicating a change has been made to the stored preset. Any controls that are not changed will remain as previously saved. Hold the Save/Recall switch down until the LED flashes between green and red and then release. The save switch LED will return to static red and the previous preset has been overwritten. Helpful Preset tips Different EXP assignments can be saved in each preset! Presets can be stored and overwritten when Time Shadows is in Live or Preset Mode. To make changes to an existing preset, you must first be in Preset Mode before making the desired changes. There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! Expression Control Use any TRS expression pedal to take control over the Time, Span or Filter! Time Shadows ships with the EXP jack mapped to the Span control. ASSIGNING THE EXPRESSION CONTROL Insert the expression pedal TRS plug into the EXP jack. Place the expression pedal in the toe down position. Turn the knob on the Time Shadows that you wish to put under control of the expression pedal. It doesn’t matter how far or which direction you turn the control. Put the expression pedal in the heel down position. This control is now assigned to the EXP jack and can be used with an expression pedal! Helpful Expression assignment tips If you turn the knob that is assigned to the EXP jack while the expression pedal is plugged in, the knob will override the expression pedal setting. The expression pedal will reassume control the next time it is used. Different EXP assignments can be saved in each preset! You can also use Control Voltage with the EXP Jack! The CV range is 0 to 3.3v. Flexi-Switch This device features Flexi-Switch Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching-style switching. For standard latching operation: Tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation: Hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, it will return to being bypassed. Note that holding the bypass switch down while Time Shadows is activated will switch into the selected Preset Mode! Since the switching is relay-based, it requires power to pass signal. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 75 mA We recommend using a pedal-specific, transformer-isolated, wall-wart power supply or a power supply with multiple isolated-outputs. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not always filter dirty power and may result in unwanted noise. DO NOT RUN AT HIGHER VOLTAGES! Expression Pedal Wiring Tip: Wiper Ring: +3.3 V Sleeve: Ground For Nerds Input Impedance: 500 KΩ Output Impedance: 100 Ω Sound Samples DBA Setting Time Voyage Waiting on Infinity Twisted Time Submarine Sweeps EQD Setting Sub Fuzz Fury Underground Doom Far-fetched Octave !¡ Setting Time Warp Falling Spider Creeping Up Sliding Down +io: + - key: pF11qjb3 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: NcWrm1m8 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: uhfb9Zhr + name: Expression/CV Input + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: C9EFiZwk + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-total-sonic-annihilation-2.yaml b/data/hardware/death-by-audio-total-sonic-annihilation-2.yaml new file mode 100644 index 000000000..4eec5a0e4 --- /dev/null +++ b/data/hardware/death-by-audio-total-sonic-annihilation-2.yaml @@ -0,0 +1,58 @@ +id: mBFHBYDCB1L2TWT0MO3IT +name: Total Sonic Annihilation 2 +manufacturer: death-by-audio +primaryCategory: routing +categories: + - boost + - limiter + - utility + - pedal +capabilities: + - boost + - limiting +url: https://deathbyaudio.com/products/total-sonic-annihilation-2 +description: A feedback loop pedal that routes other pedals' output back into + their input to create self-oscillating, boosted feedback effects. +details: |- + TOTALLY SONICALLY ANNIHILATED ⇗⇗ the feedback looper of your dreams ⇘⇘ ⇖⇖ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ ⇙⇙ The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. Details If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the ACTIVE BOOST maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth, and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results! Controls FEEDBACK The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled, experimental effects and results. The more this knob is turned up the more intense and explosive the effects will be. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON In the ON position, this toggle switch activates the ACTIVE BOOST circuit. PHASE Flips the phase of the effects loop, only when the ACTIVE BOOST is on. GAIN Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH Bypasses the effect. NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual. Connections INPUT Plug an instrument into this jack. OUTPUT The output of the Total Sonic Annihilation 2 is here. It connects to your amplifier. SEND Connect this to the input of the effect (or chain of effects) you would like to control and warp. If left unconnected it is connected internally to the receive jack. REVEIVE This is connected to the output of the effects in the feedback loop. 9V Plug a 9V Negative Tip Positive Ring DC adaptor in here. When plugged in it will bypass the internal battery. NOTE: When the ACTIVE BOOST is not engaged, the pedal is completely passive and can work without power. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.83" x 2.69" x 2.48" (including hardware) Weight: 11 oz. +io: + - key: DBkpTvj3 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wZO0OOYG + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 4GT5KQOr + name: Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Exel4anY + name: Receive + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: BqPLd1Pc + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-waveformer-destroyer.yaml b/data/hardware/death-by-audio-waveformer-destroyer.yaml new file mode 100644 index 000000000..b62944f13 --- /dev/null +++ b/data/hardware/death-by-audio-waveformer-destroyer.yaml @@ -0,0 +1,55 @@ +id: pdR-4lKxdJxGOSXsygzDj +name: Waveformer Destroyer +manufacturer: death-by-audio +primaryCategory: distortion +categories: + - fuzz + - overdrive + - equalizer + - pedal +capabilities: + - distortion + - overdrive + - fuzz + - equalization + - boost +url: https://deathbyaudio.com/products/xcolorway-waveformer-destroyer +description: A distortion pedal offering hundreds of customizable fuzz, + overdrive, and distortion tones via four footswitches and eight internal DIP + switches. +details: |- + BONE CRUSHING DISTORTION Hundreds of possible distortion sounds at your fingertips, customizable via four selectable foot switches and eight internal DIP switches. Set it and forget it, then dig back in when you want to change things up again. This gives you a ton of fuzz, overdrive, and distortion sounds you will become addicted to. Perfect for the road where you don't want to lose your carefully found settings, the Waveformer is capable of almost any sound you can dream of, and several hundred that most wouldn't dare to. Details Are your pedals covered in gaff tape because you’re sick and tired of stage divers messing up your settings? Or maybe you’re the stage diver? Either way, the Waveformer Destroyer lets you set-it-and-forget-it forever (until you change your mind) so your crushing distortion tone is perfect at every gig you play. Instantly flip between hundreds of possible distortion sounds (customizable via four footswitches and eight internal DIP switches) for industrial-grade buzzsaw treble grind, mid-scooped high-gain thrashin’, warm low-gain overdrive, garage-y transistor fuzz, or any one of the twisted and distorted sounds within. When you’re ready to change it up, pop off the backplate and start flipping switches to modify the circuit–no soldering experience required. Controls EXTERNAL ENGAGE Pulverize your sound with massive crunch and sustain. Turns on the Waveformer Destroyer. True bypass. BOOST A hyper booster/blaster/alterer. TONE An advanced equalizer filter, so you only hear what you want to hear. BLAST The insanity switch. Blast your sound beyond the outer reaches of what is considered normal (or sane) with gated fuzzes or gained-up electric rock and roll blowouts. MASTER Controls the output volume of the effect. INTERNAL OVERLOAD 1 (Engage) OVERLOAD 2 (Engage) THIN / Full (Boost) TRASH / SMOOTH (Boost) DEEP / WIDE (Filter) NORM / SHIFT (Filter) BREAK / SAW (Blast) CRUSH / BLAST (Blast) Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 6 mA Physical Details Dimensions: 5.87" x 4.72" x 2.26" (including hardware) Weight: 20 oz. +specs: |- + - Clipping Diodes on or off + - High or low gain + - Treble or full range + - Limiting harmonic boost or bass boost + - Mild mid scoop or extreme mid scoop + - Center mid scoop or shifted scoop + - CLipping diodes off or on + - Mis-biased gain or normal bias gain +io: + - key: bz3qzlR7 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Ym4nEdOL + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Zh0WQeDe + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-apocalypse.yaml b/data/hardware/death-by-audio-xcolorway-apocalypse.yaml new file mode 100644 index 000000000..fcd774d68 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-apocalypse.yaml @@ -0,0 +1,45 @@ +id: i7KW4v173rXVWt30OqctP +name: Apocalypse +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - octave + - equalizer + - pedal +capabilities: + - fuzz + - distortion + - octave + - equalization +url: https://deathbyaudio.com/products/xcolorway-apocalypse +description: A fuzz pedal that routes an overdriven signal through one of five + selectable post-amplifiers for distinct fuzz tones, with a sweepable frequency + equalizer. +details: |- + FUZZ TO THE NEXT LEVEL The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to one of five selectable post-amplifiers for five wild and unique fuzz tones. Toggle through its five signal paths and choose your desired apocalyptic sound. To further refine this beast, control the Sweepable Frequency Equalizer and carve your tone out just the way you like it. Use this pedal as a boost for solos, an amp simulated recording DI, your main fuzz sound, a bass blitzer, or run anything into it you want to beef up, blast out, destroy, or supercharge!! Controls Knobs Volume Adjusts the output volume of the pedal. Drive Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts. Sweepable Frequency Equalizer This is a special tone knob designed to function as a multitude of tone controls simultaneously. Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound. Rotary Selector Twin-T Scoop A circuit adding bass and treble simultaneously. Quieter volume than the rest. War Fuzz A very full and dynamic distortion with rich harmonics and sustain. Dual J-FET Similar to the War Fuzz setting using dual J-FETs to get its sound. Octave Rect Sums the bottom and top halves of a waveform to create an octave up. Gain x1000 The gain is cranked super high on this post amp causing erratic results. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5.8 mA Physical Details Dimensions: 5.87" x 4.72" x 2.46" (including hardware) Weight: 20 oz. Sound Samples Twin-T Scoop Guitar Punk Guitar Rock Bass Fuzz Attack Synth Shredder War Fuzz Guitar Straight-Ahead Guitar Heavy Riff Bass Scooped Riff Synth Scooped Dirt Dual J-FET Guitar Metal Chug Bass Doom Synth Smashed Solo Octave Rect Guitar Rip and Tear Bass Classic Fizz Synth Smashed Commlink Gain x1000 Guitar Searing Solo Guitar Collapsing Chug Guitar Speaker Ripper Bass Rumble Fuzz Synth Screamer +io: + - key: KZNxckwo + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: JE0bp0mY + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Y3DN3ZKw + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-bass-war.yaml b/data/hardware/death-by-audio-xcolorway-bass-war.yaml new file mode 100644 index 000000000..bab89fb8f --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-bass-war.yaml @@ -0,0 +1,43 @@ +id: KdDsAwT4xXnutpoknKGkh +name: Bass War +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - octave + - pedal +capabilities: + - fuzz + - distortion + - octave +url: https://deathbyaudio.com/products/xcolorway-bass-war +description: A bass-focused octave fuzz pedal with extended gain range, a + sweeping notch filter tone control, and a mix control for blending clean and + fuzzed signal. +details: |- + We’ve hit a new low. From this moment forward, the power and intensity of bass fuzz is changed forever. The Bass War by Death By Audio is a louder, wider-ranging, earth-shaking bass fuzz that can get more oomph than any other pedal we’ve ever heard. Details The Bass War began with the idea that we could make a version of the Fuzz War that was even more perfect for bass. Twisting classic circuit ideas to our own tastes, we’ve crafted a wicked, harmonically rich octave fuzz. It boasts extraordinary levels of gain, a massive tone sweep, and a MIX control, providing everything you need for the ultimate bass fuzz at your fingertips. It sounds freaking amazing but it doesn’t stop there, the Bass War goes BEYOND that and can deliver more volume, more tones, more fuzz, and more sonic syrup guaranteed to turn the heads of any bystander. The controls have super-extended ranges that let you dial in so many wildly different tones that are all surprisingly useful and HEAVY. Roll the FUZZ knob back for a dirty, sleazy, grinding drive, turn it up to noon for a super thick distortion, and then alllllll the way up for a blistering wall of total destruction. The TONE knob is a notch filter that transforms the overall sonic spectrum of the fuzz to sound like you are sweeping through an arsenal of 100 different fuzz pedals. Combine this with insane volume on tap and a MIX knob to get the extreme fuzz and distortion you always wanted for your bass without sacrificing volume or floor-shaking subs. Wrap it all up in a DBA punk-style raw enclosure with spray-painted graphics, and all that’s left to do is find a time machine so you can re-record all those old bass parts! Controls VOLUME Controls the overall output level from -inf to +27 dB, 10 o'clock is close to unity volume. WARNING: The Bass War is capable of extreme volume! FUZZ Controls the gain of the fuzz from +16 to +64 dB. Ranges from raunchy drive, to smooth fuzz, to overloaded insanity. TONE Sweeps a deep notch filter tuned for a wide range of 98 Hz to 3.3 kHz. This radically reshapes the fuzz sound for a massive range of tones. MIX Blends between your clean sound and the fuzz. Blending in your clean tone helps your notes stay articulate, balanced, and bassy against the huge sound of the fuzz circuitry. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 33 mA Physical Details Dimensions: 5.9" x 4.73" x 2.24" (including hardware) Weight: 15.5 oz. Sound Samples Bass Porcupine Fuzz Plucks of Doom Climbing the Crush Blown Circuits Guitar Classic Fuzz Metal Domination Beyond Crushed Ascending Chaos Manual >> +io: + - key: rcsmVzeQ + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: lcNfYNSB + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 0nhUMDQj + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-disturbance.yaml b/data/hardware/death-by-audio-xcolorway-disturbance.yaml new file mode 100644 index 000000000..21d253f1d --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-disturbance.yaml @@ -0,0 +1,51 @@ +id: M-yV62HgcBH0ZnIyMeNSN +name: Disturbance +manufacturer: death-by-audio +primaryCategory: filter +categories: + - flanger + - phaser + - pedal +capabilities: + - filter + - flanger + - phaser + - freeze +url: https://deathbyaudio.com/products/xcolorway-disturbance +description: A filter, flanger, and phaser modulation pedal with a freezable LFO + and a CV output for controlling other devices. +details: |- + PLEASE, DO DISTURB Introducing the DISTURBANCE: an innovative filter, flanger, and phaser pedal offering unparalleled modulation. With the DISTURBANCE's intuitive controls, sculpt your sound precisely to your liking. The 'Tensity' knob adjusts feedback and effect structure, providing two distinct intensity options for each unique modulation. Details Dive deep into sonic exploration with the Filter, offering both highpass and lowpass options for resonant swells and piercing tones. Experience classic modulation with the Flanger, offering versatile settings from watery delays to screaming flange effects with distorted feedback. Enter the realm of psychedelia with the Phaser mode, featuring an 8-stage phaser sound with options for filtered scoops or a blend of phaser/flanger tones. But that's not all - the DISTURBANCE introduces a groundbreaking control system. Its custom-designed modulation core allows you to freeze the LFO mid-cycle, creating captivating frozen modulation effects. Additionally, the pedal features a CV OUT jack, enabling modulation control signal transmission to compatible devices. (Ones that are brave enough) Controls Effect Controls Filter/Flanger/Fazer This switch selects the modulation type. Tensity This knob sets the intensity of the effect, with different "-" and "+" mode for each modulation type. LFO Controls Center Point This knob sets the center point for the modulation LFO. Width This knob sets the width of the modulation LFO. Speed This knob sets the speed of the modulation LFO. Trip (Stomp) This stomp freezes the LFO at its current position. Pressing it again resumes the LFO cycle wherever it left off CV Out Never before seen, the DISTURBANCE features a CV OUT jack which allows it to control other pedals and devices. This lets you explore the world of LFO freezing goodness with all of your favorite Death By Audio pedals with expression and beyond. Have a favorite pedal with an expression in? Try it out! The CV OUT will send a voltage following the LFO and can interact with all kinds of different effects. Eurorack fan? Go ahead and plug the LFO into your favorite oscillator, filter, or any unit you love and see how flexible and powerful this control can be. The CV OUT is set to about 0-5 V by default. This can be trimmed down to near 0 V or up to 7 V using the internal CV LEVEL trimmer. Specifications Electrical Specs Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 67 mA CV Output Voltage: 0-7 V (Trimmable) Physical Specs Dimensions: 4.95" x 3.95" x 2.6" (including hardware) Weight: 13 oz. Sound Samples Filter Sci-fi Jazz Sweeping Fuzz Bass Groan Bass Scream Bass Wah Flanger Big Chords Subtle Bends Fuzz Flange Bass Ring Bass Resonance Fazer Fuzz Faze Classic Faze+Flange Bass Frozen Faze Bass Faze+Flange Bass Riffing +io: + - key: QgTkO8vz + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Rgsj9Kp8 + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 4tFTRt1s + name: CV Output + signalFlow: output + category: audio + type: cv/gate + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: okvkeP8Y + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-echo-dream-2.yaml b/data/hardware/death-by-audio-xcolorway-echo-dream-2.yaml new file mode 100644 index 000000000..e6dc17a9f --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-echo-dream-2.yaml @@ -0,0 +1,43 @@ +id: Bub84tTv3aAsuliTJ9n0y +name: Echo Dream 2 +manufacturer: death-by-audio +primaryCategory: delay +categories: + - chorus + - distortion + - pedal +capabilities: + - delay + - chorus + - distortion +url: https://deathbyaudio.com/products/xcolorway-echo-dream-2 +description: A modulating delay pedal with fuzz and chorus-like modulation of + the delayed signal, used for everything from subtle echoes to heavily + distorted feedback textures. +details: |- + LUSH MODULATING ECHO A powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream 2 is ready to transform anything you throw at it. Controls Master Controls MASTER Controls the output volume of the effect. FUZZ Sets the amount of gain, from clean to fuzzed-out bliss. This gain is after the echo and will make both the clean and the echoes distorted when cranked up. DELAY Sets the volume of the delayed signal. Echo Controls D TIME Controls the delay time (numbers shown in milliseconds) between 20 ms and 1 second. Long delay times can create flutter, noise, and distortion. FBACK Controls the feedback of the delays, from slapback to wild runaway oscillation. DRY TOGGLE UP Allows the dry signal through DOWN Kills the dry signal (only the repeats will be heard) Modulation Controls SPEED Controls how fast the modulating oscillator runs. DEPTH Sets how for the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift very far! SHAPE TOGGLE UP Smoother, sine-like modulator waveform DOWN Sharp, square-shaped modulator waveform Specifications Power Details Power Supply: 9V, 12V, or 18V VDC supply with 2.1mm negative center barrel (many non-9V supplies will vary their polarities so double check!) Current Draw: 40 mA Physical Details Dimensions: 5.87" x 4.72" x 2.35" (including hardware) Weight: 21 oz. Sound Samples Strat Bending Echoes Chorus-y Delay Bending Chaos Drunken Stumble Puzzled Twitch Twisted Plucks Torn Asunder Evil Twin Jazz Bass Thumping Chorus Memories Delay Bendy Fuzz Unholy Descent Just Fuzz! All Over Echo Riff Synth Lo-Fi Plucks Plunk Wiggle Big Bends Huge Vibrato +io: + - key: J62fNVGB + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: rxV2PAOr + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 5a7N29xq + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-echo-master.yaml b/data/hardware/death-by-audio-xcolorway-echo-master.yaml new file mode 100644 index 000000000..633be2631 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-echo-master.yaml @@ -0,0 +1,57 @@ +id: XimJUabWUGjOC2wAAkk5a +name: Echo Master +manufacturer: death-by-audio +primaryCategory: delay +categories: + - preamp + - vocal-processor + - vintage +capabilities: + - delay +url: https://deathbyaudio.com/products/xcolorway-echo-master +description: A lo-fi analog tape-style vocal delay unit with a + transformer-balanced mic preamp and an effects loop for patching additional + pedals into the vocal chain. +details: |- + PSYCHEDELIC VOCAL TRIP Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Details This multitasking analog tape-style echo rules––onstage, it delivers lush vocals shrouded in dusky analog repeats, and it’s invaluable in the studio while recording, reamping, mixing, and more. It’s carefully voiced to avoid shrieking monitor feedback, includes a robust transformer-balanced mic preamp, sturdy Neutrik XLR jacks, and is equipped with an impedance-matching effects loop so you can patch other pedals in your vocal chain. An (optional) mic clip backplate puts the controls within reach during performances so you can tweak the delay effect as you sing, effectively remixing yourself (or your bandmates) live. Best of all, the Echo Master puts total control over your vocal sound at your fingertips, so you get the sound you want, when you want it, all of the time. Since changeovers at shows can happen quickly and there isn’t always time for soundcheck, the Echo Master gets you amplified and rocking with consistent high-quality echo effects in no time at all. Simply plug your microphone into the mic input, connect the sound engineer’s vocal line to the mic output, plug your pedals into the effects loop, and there’s still time to order another drink before you play. When you’re ready to rock, the F-Back control adjusts the number of repeats from one single echo to infinite raging feedback and the Time knob sets the delay time between 30ms – 620ms. The Mix knob is calibrated to preserve intelligibility (and keep the sound engineer happy), allowing you to sweep from bone-dry to a 50/50 wet/dry blend. In the studio, the Echo Master is a whole other animal. Use it with acoustic instrument and percussion mics to commit wild new sounds to tape (or hard drive). Comes with a Godlyke Power-All 9 VDC power supply with a 2.1mm negative center barrel Controls Time Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. FBACK (Internal) Sets the maximum level of the external feedback. Turn all the way clockwise for maximum feedback (factory setting) or turn to the left to limit the range for more precise control. Send and Receive Have the need to use your Echo Master with the rest of your favorite guitar pedals? The Send and Receive will make easy as your guitar rig! Plug the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals before they enter the Echo Master. Mic Stand Clip Backplate Tired of wrangling all your vocal pedals on the floor or lugging a table to your shows? We have the solution! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Note: Cords, microphone, and stand are not included. Godlyke Power-All 9 VDC power supply still included. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel. Note: We strongly recommend using the included power supply or a similar low-noise power supply. Current Draw: 25 mA Physical Details Dimensions: 6.09" x 3.45" x 2.75" (including hardware) Weight (Standard): 16 oz. Weight (Alternate Back Plate): 30 oz. Sound Samples SOLO Dark Super Slap Harmonic Layers Twisted Growls Feedback Resonance Subtle Slap WITH PEDALS Octave Clang V2 Rooms (Peak) Rooms (Wave) Rooms (Gong) +io: + - key: PJ5Iz1Yb + name: Mic Input + signalFlow: input + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: 53HONfbD + name: Mic Output + signalFlow: output + category: audio + type: mic + connection: xlr + maxConnections: 1 + position: Right + - key: CMB79fCk + name: Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: AYL1l5OX + name: Return + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Vp6c9HJs + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-evil-filter.yaml b/data/hardware/death-by-audio-xcolorway-evil-filter.yaml new file mode 100644 index 000000000..b24b82e7f --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-evil-filter.yaml @@ -0,0 +1,63 @@ +id: dvVIWwf-lxNtBUn_TqkPr +name: Evil Filter +manufacturer: death-by-audio +primaryCategory: filter +categories: + - fuzz + - wah + - distortion + - octave + - pedal +capabilities: + - filter + - wah + - fuzz + - distortion + - subharmonic-synthesis +url: https://deathbyaudio.com/products/xcolorway-evil-filter +description: A multimode high-pass, band-pass, and low-pass filter pedal with + self-oscillating resonance, paired with a two-type fuzz circuit and + CV/expression control of filter cutoff. +details: |- + FOR THE TRULY WILD Psycho multimode filter with an ultra-sleek enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, bandpass, and low pass modes, as well as two types of screaming resonance, the Evil Filter is ready to saw any sound into pieces - or just be the most insane wah you've ever heard. The Evil Filter's two fuzzes take signals into a much more twisted dimension, creating a blooming compression that's perfect for ripping solos and walls of noise alike. Push it past the limit into octaves up, down, and snarling wavefolding sounds. Using the CV/Expression input, you can also control the filter cutoff frequency with an expression pedal or synthesizer. Details What Does a Multimode Filter Pedal Do? The Evil Filter takes your signal and carves it up so that you only hear the frequencies you want to play with. In High-Pass mode, you’ll hear frequencies above where the Filter Freq. control is positioned. In Band-Pass mode, the Evil Filter chops off the high and low frequencies, leaving you with a midrange signal that has a round, vocal-like character, similar to a wah. In Low-Pass mode, only bass frequencies below the Filter Freq. control come through, so you feel the rumble in your soul. The Filter Resonance control adjusts the width and “ringiness” of the filter which sets the overall tonal quality of the pedal from being a subtle tone-shaping utility or a harbinger of sonic devastation. At lower settings, the filter acts on a wide range of frequencies for gentle rolling sweeps and conventional filter sounds. As you bring up the Resonance, the affected frequencies get narrower and narrower until it eventually clamps down on such a tiny range of frequencies that it boosts them into ringing peaks, earth-shaking subharmonic pulses, and screaming self-oscillation. For extra harmonics and oscillation, flip the Resonance toggle switch from Normal to High and freak out! Enter the Evil Fuzz Misery loves company, so the Evil Filter is equipped with an Evil Fuzz to take the signal to a much darker dimension. The Evil Fuzz has its own footswitch so you can use it as a standalone full-on fuzz, or pair it with the Evil Filter to push the medical-grade IC past its limit to develop potent new sonic concoctions to push your sound to the limit. The Evil Fuzz has two fuzz types: one takes you from a rich fuzz that cleans up nicely with your volume control, and the other is an over-the-top fire-breathing scorcher that dishes out disgustingly amazing blasted-out fuzz. Controls EVIL FUZZ Fuzz Type Switch Choose between two different fuzzes - down for a cleaner, more driving fuzz, up for a blasted out, blooming, insane fuzz. Output Volume of the fuzz section of the pedal FILTER Freq Cutoff frequency of the filter shown in Hz Selector Selects between the different filter types - Low Pass, Band Pass, and High Pass. Resonance Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels! Resonance Switch Sets the range of the Filter Resonance knob between Normal and High EXP/CV Input Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input. Output Volume of the filter section of the pedal Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 21 mA Physical Details Dimensions: 7.75" x 4.72" x 2.4" (including hardware) Weight: 25 oz. +io: + - key: KNsqc0AK + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: rd4dhG2S + name: Filter Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: w4i8DiDZ + name: Fuzz Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: ItUuB93n + name: EXP/CV Input + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wbNSpkUQ + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-fuzz-war.yaml b/data/hardware/death-by-audio-xcolorway-fuzz-war.yaml new file mode 100644 index 000000000..ded4e8435 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-fuzz-war.yaml @@ -0,0 +1,42 @@ +id: 0D3tBw4SKa1vXJMXm7Q5r +name: Fuzz War +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - distortion + - boost + - pedal +capabilities: + - fuzz + - distortion + - boost +url: https://deathbyaudio.com/products/xcolorway-fuzz-war +description: A high-gain fuzz pedal with a multi-curve active tone control that + shapes the sound from deep bass sludge to screaming lead tones. +details: |- + THE FUZZ OF ALL FUZZES Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. Details If love is a battlefield, then the Fuzz War is your ticket to victorious sustaining fuzz tone. When there’s nothing between you and the audience except an amp, the Fuzz War, and your axe, crank the Fuzz control all the way up and blow 'em away with the raunchiest fuzz tone in modern history. Or dial back the Fuzz for kinder, gentler overdrives and boosts but without volume limits! The Fuzz War’s specially designed active multi-curve Tone control lets you set your sights on creating glorious music by changing the timbre from a deep sludge-bass rumble to screamin’ top-end lead tones that slice through the mix with a whole bunch of useful sounds in-between. Note: When the Fuzz is turned all the way down, the Tone control acts as a frequency shifter – try it for parked-wah and sick filtered effects! And it wouldn’t be a Death By Audio fuzz pedal without enough output to make even the highest headroom amp beg for reinforcements, which is why there’s a handy Volume control to adjust the output level. Each Death By Audio Fuzz War has sick spray-painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator that sounds as good as it looks. Achieve a multitude of ultimate fuzz, boost, overdrive, and distortion sounds with the simple turn of a dial. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard. Controls VOLUME Controls the output volume of the effect. FUZZ Controls the gain of the fuzz circuit. At its lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz. TONE A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 1 mA Physical Details Dimensions: 5.87" x 4.72" x 2.5" (including hardware) Weight: 18 oz. Sound Samples Mustang Classic Fuzz Thick Punk Crushed Riffs Filter-Sweep Fuzz Dark Tones --> VOX Bass Big Bossman Hairy Chug Break-Up Filter-Sweep Fuzz Chunky Riffs --> +io: + - key: SIKeYUyT + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: cHbdJywt + name: Output + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: PJYFVsTc + name: Power Input + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-germanium-filter.yaml b/data/hardware/death-by-audio-xcolorway-germanium-filter.yaml new file mode 100644 index 000000000..0625e967e --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-germanium-filter.yaml @@ -0,0 +1,45 @@ +id: k-ugaYE3ep8C-6Rbl8F9q +name: Germanium Filter +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - filter + - overdrive + - distortion + - pedal +capabilities: + - distortion + - overdrive + - fuzz + - filter +url: https://deathbyaudio.com/products/xcolorway-germanium-filter +description: A guitar pedal combining a console-style germanium transistor drive + circuit with an intense filter. It ranges from mild overdrive to blistering + fuzz with a versatile filter control. +details: |- + TRUE VINTAGE DISTORTION. The Germanium Filter is our love letter to sticking a pencil through your speaker. Start with a console-style drive circuit, made from obsolete germanium transistors, and finish it off with a super intense DBA-style filter, and BLAMO! You’ve got a sound heavy enough to crush and sharp enough to slice. The Filter control is extremely versatile - it’ll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Gain control starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be Germaniumized! Controls Filter Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs. Gain Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar’s volume control. Volume (internal) Controls the overall output level of the pedal. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 5" x 2.5" x 2.25" (including hardware) Weight: 10.6 oz. +io: + - key: UcNQHNZm + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: R86z13m6 + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 4NKBaBbi + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-interstellar-overdriver.yaml b/data/hardware/death-by-audio-xcolorway-interstellar-overdriver.yaml new file mode 100644 index 000000000..04b08c1b4 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-interstellar-overdriver.yaml @@ -0,0 +1,39 @@ +id: nmmUr-GYv6SYqcmH_PcLf +name: Interstellar Overdriver +manufacturer: death-by-audio +primaryCategory: overdrive +categories: + - pedal +capabilities: + - overdrive + - boost +url: https://deathbyaudio.com/products/xcolorway-interstellar-overdriver +description: A true overdrive pedal based on a discrete circuit designed to + recreate the natural sound of a cranked tube amp. +details: |- + SOUNDS LIKE A CRANKED 50s TUBE AMP The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this pedal is all about the natural, wonderful sound of turning an amp up too loud. It's specifically constructed to work the same way as old tube amps - the more you turn it up, the better it sounds. The drive knob sweeps from a slight boost to a beautiful, harmonically rich overdrive. For more control, kick back the output volume with the MASTER knob while retaining the sweetness. There are a lot of pedals out there attempting to do this simple, beautiful thing, but this one is the best.", Details There’s a million amp-in-a-box overdrive pedals out there, but the Interstellar Overdriver is the only one from outer space. We scoured the galaxy in search of the best components to complete this amp-like, discrete, and beautifully transparent overdrive circuit that puts your amp on blast with nothin’ but your awesome tone, and lots of it. We went through painstaking measures to succeed where other drive pedals have failed. The circuit is precisely tuned to counteract the harsh, unnatural fizziness that comes with recreating tube overdrive in a stompbox format. Each component is carefully chosen to reproduce the pleasing, organically overdriven sound of vintage speakers pushed to the max. Achieve stadium-sized “rawk” guitar sounds at bedroom levels with the same dynamic crunch and fluid sustain as a fleet of backline amps turned up to the edge of meltdown. Dial in ragged, tweed style breakup and saturation with realistic, spongy tube-like sag and harmonics. Punch up leads and melodies with a clean boost that adds subtle character while preserving your instrument’s natural tone. Sprinkle some extra vibe on a plain-sounding DI track. Controls Overdriver Sets the input gain for anything from a subtle clean boost to full-on power amp destruction Master Controls the output volume of the effect Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 1 mA Physical Details Dimensions: 4.75" x 4.05" x 2.17" (including hardware) Weight: 12 oz. +io: + - key: dZizenvZ + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: VuvUgXRA + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: LXupaHKZ + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-micro-dream.yaml b/data/hardware/death-by-audio-xcolorway-micro-dream.yaml new file mode 100644 index 000000000..3a5ec517b --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-micro-dream.yaml @@ -0,0 +1,40 @@ +id: xgGNhF5DoLzrrZ7npElBr +name: Micro Dream +manufacturer: death-by-audio +primaryCategory: delay +categories: + - lo-fi + - pedal +capabilities: + - delay + - looper +url: https://deathbyaudio.com/products/xcolorway-micro-dream +description: A compact lo-fi delay pedal offering up to one second of decayed + delay with a gain stage suited for slapback and pseudo-looping effects. +details: |- + BEAUTIFUL LO-FI DELAY Similar to the thick and gooey sound of the Echo Dream 2, the MICRO DREAM is a streamlined and compact version that still retains the beautiful, decayed delay sound that made the Echo Dream famous. Push the delay past its limits by increasing the delay time to a full second, introducing lofi chirps and noise as the circuit protests. Additionally, a gain stage on the delay line makes the Micro Dream perfect for pseudo looping or just an incredible slapback. Details Playing the fifteen-minute-power-nap to the Echo Dream 2’s full-on Rip Van Winkle, the Micro Dream is a bite-sized echo snack for the modern musician on the go. This tasty lo-fi delay pedal takes the gooey, ectoplasmic sound of the Echo Dream 2 and packs it into a compact enclosure to deliver vivid slapback tones, chewy psychedelic echoes, and up to one full second of kaleidoscopic delay that’ll turn even your wildest echo dreams lucid. At shorter delay times, the Micro Dream dishes out vibrant, bouncy repeats tight enough to use as an always-on double-tracking effect to thicken up single note runs and some light riffage. As you increase the TIME control, the Micro Dream opens up a higher level of consciousness with grainier repeats and a more sinister vibe as the longer times push the delay chip past its limit, introducing stretched, smeared, pseudo-looping delays so psych’d out you’ll be hearing colors and tasting music. The Micro Dream’s F BACK control adjusts the delay repeats from a single repeat right through hazy atmospheric dreaminess all the way to demented self-oscillating feedback. This control covers a wide range of sounds, so we’ve included an INTERNAL F BACK TRIMPOT to adjust exactly where on the potentiometer self-oscillation happens and help you dial in the proper ambience for your musical sojourn to the untapped outer reaches of the unconscious mind. If you’re the kind who forgets your dreams, turn ‘em up! The DELAY knob controls the level of the repeats and is equipped with enough output to make the delay louder than the clean signal for rich, thick echoes that bulk up your sound and stand up in even the busiest mix. Now wake up and start playing! Controls F Back Controls the feedback of the delays, from slapback to wild runaway oscillation Time Controls the delay time (Numbers shown in milliseconds) Delay Sets the volume of the delayed signal Internal Trimpot Sets the point at which the Fback knob will cause the delay to oscillate Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 28 mA Physical Details Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 11 oz. +io: + - key: e6n4uzv2 + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: 15UcFuEw + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Ha9H7HMr + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-reverberation-machine.yaml b/data/hardware/death-by-audio-xcolorway-reverberation-machine.yaml new file mode 100644 index 000000000..b985f9712 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-reverberation-machine.yaml @@ -0,0 +1,42 @@ +id: _IX6S3E-3t8ftVkS2bHXG +name: Reverberation Machine +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - spring + - distortion + - pedal +capabilities: + - reverb + - distortion +url: https://deathbyaudio.com/products/xcolorway-reverberation-machine +description: A reverb pedal offering saturated spring-style reverbs and + cavernous ambiances, with an Altitude control that pushes the reverb into + distorted shimmer. +details: |- + BLISTERING REVERB The original synthetic atmosphere creator. The Reverberation Machine offers up drippy, saturated spring reverbs and cavernous expanses in one small package. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer for the ultimate wall of sound. An instant classic for a reason, the Reverberation Machine's unique and experimental sounds are equally at home twisting your sound into a galactic nebula or adding a sinister and yearning beauty to anything you plug in. CONTROLS Vol: Controls the master output volume. Altitude Control: This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb : Blends in the amount of reverb. Dark/Light Symbol: Dark cavernous reverberation to bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** SPECS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA. +io: + - key: RxAgt0zS + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: COuXVNHt + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: tcmZsuNq + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-robot.yaml b/data/hardware/death-by-audio-xcolorway-robot.yaml new file mode 100644 index 000000000..872e7177f --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-robot.yaml @@ -0,0 +1,46 @@ +id: 5oYFLFpmVKt9APcKB_IFe +name: Robot +manufacturer: death-by-audio +primaryCategory: bit-crusher +categories: + - pitch-shifter + - octave + - ring-modulator + - sequencer + - pedal +capabilities: + - bit-crush + - pitch-shift + - octave + - ring-modulation + - sequencing +url: https://deathbyaudio.com/products/xcolorway-robot +description: A low fidelity 8-bit pitch transposer pedal that produces + bit-crushed fuzz, octave up/down effects, ring modulation, and an arpeggiator. +details: |- + 8-BIT PITCH / RING / LOFI / GRANUALIZER The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi fuzz, octave up, octave down, and arpeggiation. All modes are controlled by the Control Knob, which sets the frequency the chip operates at, changing and warping the pitch shifting and aliasing effects. Details This cranky computer uses a voice transformation IC from 80s kids toys to calculate crazy pitch shifting, bit-crushing distortion, tunable octaves up and down, and ring modulation. There's also an insane arpeggiator for primitive digital sound mangling that sounds like a squad of sentient automatons from the future-past marched across the uncanny valley, through the singularity, into your music room, and started playing lead in your band. Controls Control Knob Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator. Volume Controls the output volume of the effect Rotary Selector Normal: Same pitch with 8-bit digital conversion when the Control Knob is fully clockwise. Turning the Control Knob down bends the pitch lower. Octave Down: The Control Knob turned fully clockwise yields a nasty octave down sound. Turning the Control Knob down bends the pitch further downwards. Octave Up: The Control Knob turned fully clockwise yields a nasty octave up sound. turning the Control Knob down bends the pitch lower. Arpeggiator: The pitch arpeggiates in a sequence. The Control Knob adjusts the speed of the arpeggiator. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel NOTE: Older versions of the Robot require a 9v battery or dedicated power supply (daisy chains do not work) Current Draw: 23 mA Physical Details Dimensions: 5.87" x 4.72" x 2.62" (including hardware) Weight: 19 oz. +io: + - key: pGfZK8sj + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: tQcSgQhW + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: iNT17LlL + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-rooms.yaml b/data/hardware/death-by-audio-xcolorway-rooms.yaml new file mode 100644 index 000000000..65a1bb885 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-rooms.yaml @@ -0,0 +1,66 @@ +id: OgEuOhdd-NJrvr-dcxDPf +name: Rooms +manufacturer: death-by-audio +primaryCategory: reverb +categories: + - delay + - filter + - noise-gate + - vibrato + - ring-modulator + - pedal +capabilities: + - reverb + - delay + - filter + - gating + - freeze + - vibrato + - ring-modulation +url: https://deathbyaudio.com/products/xcolorway-rooms +description: A stereo multi-function digital reverb pedal with six programmable + algorithms including room, delay-verb, filtered reverb, gated reverb, pitch + vibrato, and ring-modulated reverb, with expression pedal control. +details: |- + SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. Over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. Algorithms 1 - ROOM A classic reverb that simulates many different rooms. FREQ: Tone of Decay DEPTH: Pre-Delay of Right Side 2 - DIGIT A delay and verb capable of creating otherworldly resonances and fractured repeats. FREQ: Delay Time DEPTH: Delay Feedback 3 - PEAK A super intense bandpass filter combined with an ambient reverb. FREQ: Filter Frequency DEPTH: Filter Resonance 4 - GATE A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. FREQ: Decay Tone DEPTH: Gate Response Time 5 - WAVE Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. FREQ: Modulation Speed DEPTH: Modulation Depth 6 - GONG Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination. FREQ: Modulator Frequency DEPTH: Blends from Aliasing (left) to Ring Modulation (right) NOTE: Will sound most mellow when DEPTH is near the center. Controls Reverb Controls FREQ Controls the frequency parameter of the current mode. DEPTH Controls the depth parameter of the current mode. TIME Controls the reverb time in all modes. ALT Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. The F and T settings can be controlled with an expression pedal as described below. Mixer Controls DRY Controls the volume of the dry signal, from -inf to +20 dB. FX Controls the volume of the reverb signal, from -inf to +20 dB. Expression Control/CV In Use any TRS expression pedal or 0-3.3 V control voltage to take control of the Time or Frequency setting while the pedal is in ALT mode. Using the "F ↔ T" Slider on the right side of the pedal, you can select the expression to control either the frequency or time control The small ALT control for the F or T control will now set the minimum value of the control. Set the corresponding knob all the way down for the full range of the knob to be controlled by the expression pedal. NOTE: The expression input is only active in ALT mode and will be deactivated when the ALT mode is off. Specifications Electrical Specs Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 80 mA Expression Voltage: 0-3.3 V Physical Specs Dimensions: 5.95" x 3.86" x 2.96" (including hardware) Weight: 13 oz. +io: + - key: scBmYuHf + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: p4Z3XVm0 + name: Output L + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: FjUoA1RZ + name: Output R + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: hIUgBXeX + name: Expression/CV In + signalFlow: input + category: audio + type: expression + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: w9v8yYH8 + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-space-bender.yaml b/data/hardware/death-by-audio-xcolorway-space-bender.yaml new file mode 100644 index 000000000..4b3b5417c --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-space-bender.yaml @@ -0,0 +1,42 @@ +id: Y_tRvx5IbfKfGG84g9kXv +name: Space Bender +manufacturer: death-by-audio +primaryCategory: chorus +categories: + - flanger + - delay + - pedal +capabilities: + - chorus + - flanger + - delay +url: https://deathbyaudio.com/products/xcolorway-space-bender +description: A chorus modulator pedal using dynamically modulated delay lines to + produce chorus, flanger, and modulated delay effects. +details: |- + LFO in the UFO The SPACE BENDER chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time. Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! Details The SPEED and DEPTH knobs act as the main controls over the delay time and feedback, while simultaneously setting the modulation parameters of the delays. These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger. Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the SPACE BENDER serve as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes. See you on the other side! Controls Speed Controls the speed of the LFO, sensitivity of the envelope, and time of the delay(s). At shorter times, expect flange and chorus sounds with slower modulation, while long times will stretch into wiggling, modulated delay. Depth Controls the depth of the envelope or the LFO, as well as the feedback of the delay(s). This allows for a range of short and subtle effects to longer, stretching waves of sound. Delay Time Sets the overall delay time range, from very short (x1) to medium-long (x10). Also inverts the polarity of the envelope. Modulator Sets the main source of modulation for the delay line - either a sine wave oscillator in LFO mode or an envelope in ENV mode. The SPEED and DEPTH knobs control the settings of the LFO and envelope. Intensity Sets the overall intensity of the effects. High-intensity settings can create oscillations, feedback, and crazy noises. DEATH BY AUDIO is not responsible for what your audience will think of you, unless they love it, in which case we are. Gain (internal) Controls the output level of the pedal, ranging from unity to way too loud. Unscrew the backplate to access this control. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 65 mA Physical Details Dimensions: 5" x 2.63” x 2.45" (including hardware) Weight: 9.3 oz. +io: + - key: 1VIPUHnZ + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: JqZC0qAn + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: wL5gxOcS + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-supersonic-fuzz-gun.yaml b/data/hardware/death-by-audio-xcolorway-supersonic-fuzz-gun.yaml new file mode 100644 index 000000000..6f0220831 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-supersonic-fuzz-gun.yaml @@ -0,0 +1,43 @@ +id: jUUVgYwb37vk-lyTZ6PSk +name: Supersonic Fuzz Gun +manufacturer: death-by-audio +primaryCategory: fuzz +categories: + - noise-gate + - filter + - pedal +capabilities: + - fuzz + - gating + - filter +url: https://deathbyaudio.com/products/xcolorway-supersonic-fuzz-gun +description: A fuzz pedal with interacting controls creating gated and + oscillating fuzz tones, from distorted guitar sounds to total noise + oscillation. +details: |- + A TRUE FREAK OF A PEDAL The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with the extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from (relatively) straightforward distorted guitar to shards of total insanity. This pedal is well at home making its own howls, chirps, growls, and sputters - harness the unruliest electric destroyer we make with the Supersonic Fuzz Gun. Controls Bias Biases the output transistor to change the overall sound structure Density Increases the Q range input into the fuzz while also adjusting the oscillation frequency in Osc. mode Fuzz Increases the intensity of the output Filter Sweeps the high frequencies of the output Level Controls the output volume of the effect. Gate/Oscillation Toggle In Gate mode, the fuzz tone is more standard and gated. In Oscillation mode, the signal self-oscillates for noisemaking and bizarre fuzz tones Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 2 mA Physical Details Dimensions: 4.72" x 3.84" x 2.06" (including hardware) Weight: 13 oz. +io: + - key: uYuafPLF + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: F0asKtIJ + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: bNGWe1Sb + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right diff --git a/data/hardware/death-by-audio-xcolorway-tonal-sonic-annihilation-2.yaml b/data/hardware/death-by-audio-xcolorway-tonal-sonic-annihilation-2.yaml new file mode 100644 index 000000000..daaee90f1 --- /dev/null +++ b/data/hardware/death-by-audio-xcolorway-tonal-sonic-annihilation-2.yaml @@ -0,0 +1,59 @@ +id: QGyUBnBG4OjLd2sSEfYD2 +name: Total Sonic Annihilation 2 +manufacturer: death-by-audio +primaryCategory: looper +categories: + - boost + - limiter + - pedal +capabilities: + - looper + - boost + - limiting +url: https://deathbyaudio.com/products/xcolorway-tonal-sonic-annihilation-2 +description: A feedback looper pedal that routes an external effects loop back + into itself, with an active boost circuit, phase switch, gain, and limiter to + create extreme feedback-based textures. +details: |- + TOTALLY SONICALLY ANNIHILATED ⇗⇗ the feedback looper of your dreams ⇘⇘ ⇖⇖ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ ⇙⇙ The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. Details If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the ACTIVE BOOST maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth, and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results! Controls FEEDBACK The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled, experimental effects and results. The more this knob is turned up the more intense and explosive the effects will be. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON In the ON position, this toggle switch activates the ACTIVE BOOST circuit. PHASE Flips the phase of the effects loop, only when the ACTIVE BOOST is on. GAIN Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH Bypasses the effect. NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual. Connections INPUT Plug an instrument into this jack. OUTPUT The output of the Total Sonic Annihilation 2 is here. It connects to your amplifier. SEND Connect this to the input of the effect (or chain of effects) you would like to control and warp. If left unconnected it is connected internally to the receive jack. REVEIVE This is connected to the output of the effects in the feedback loop. 9V Plug a 9V Negative Tip Positive Ring DC adaptor in here. When plugged in it will bypass the internal battery. NOTE: When the ACTIVE BOOST is not engaged, the pedal is completely passive and can work without power. Specifications Power Details Power Supply: Standard 9 VDC power supply with a 2.1mm negative center barrel Current Draw: 5 mA Physical Details Dimensions: 4.83" x 2.69" x 2.48" (including hardware) Weight: 11 oz. +io: + - key: G59ykism + name: Input + signalFlow: input + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: iTmJDTl8 + name: Output + signalFlow: output + category: audio + type: instrument + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: Zsql7zLi + name: Send + signalFlow: output + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: jKYrZ38n + name: Receive + signalFlow: input + category: audio + type: line + connection: 1/4-inch + maxConnections: 1 + position: Right + - key: CSQy6hYX + name: Power + signalFlow: input + category: power + type: power + connection: barrel + maxConnections: 1 + position: Right